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        <title>BenHeine's Portfolio</title>
        <link>http://benheine.artician.com/portfolio/</link>
        <description>BenHeine's Portfolio on Artician</description>
        <language>en-us</language>
        <copyright>Copyright 2009, Artician LLC</copyright>
        <pubDate>Sat, 21 Nov 2009 19:07:56 -0500</pubDate>        
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            <item>
                <title>Jacques Mercier</title>
                <link>http://benheine.artician.com/portfolio/Jacques-Mercier/</link>
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                <pubDate>Wed, 11 Nov 2009 18:08:26 -0500</pubDate>
                <media:title type="plain">Jacques Mercier</media:title>
                <media:description type="html"><![CDATA[<br /><div style="text-align: center;">(Click on &quot;View Original&quot; for <br />
high resolution, 300dpi, full quality...)<br />
<br />
 2009 <a href="http://www.benheine.com/">Ben Heine</a><br />
Contact me anytime at <br />
heinebenjamin@hotmail.com<br />
<br />
Jacques Mercier is a famous Belgian writer, TV animator and radio personality</div>]]></media:description>
                <media:keywords>humor, "la semaine infernale", mouscron, journalism, "radio publique", "step by step", airbrushing, "digital painting", "le jeu des dictionnaires", "service public"</media:keywords>
                <media:rating>nonadult</media:rating>
                <media:category label="Airbrush / Painting">Image/Digital Art</media:category>
                <media:credit role="author" scheme="urn:ebu">BenHeine</media:credit>
                <media:credit role="author" scheme="urn:ebu">http://uc.artician.com/members/0/9/9801/avatar.jpg</media:credit> 
                <media:copyright url="http://benheine.artician.com/">Copyright 2009 BenHeine</media:copyright>
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                <title>The Making of a Digital Portrait - Jacques Mercier</title>
                <link>http://benheine.artician.com/portfolio/Making-of-a-Digital-Portrait-2/</link>
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                <pubDate>Wed, 11 Nov 2009 18:00:37 -0500</pubDate>
                <media:title type="plain">The Making of a Digital Portrait - Jacques Mercier</media:title>
                <media:description type="html"><![CDATA[<br /><div style="text-align: center;">(Click on &quot;View Original&quot; for <br />
high resolution, 300dpi, full quality...)<br />
<br />
 2009 <a href="http://www.benheine.com/">Ben Heine</a><br />
Contact me anytime at <br />
heinebenjamin@hotmail.com<br />
<br />
Jacques Mercier is a famous Belgian writer, TV animator and radio personality</div>]]></media:description>
                <media:keywords>humor, "la semaine infernale", mouscron, journalism, "radio publique", "step by step", airbrushing, "digital painting", "le jeu des dictionnaires", "service public"</media:keywords>
                <media:rating>nonadult</media:rating>
                <media:category label="Airbrush / Painting">Image/Digital Art</media:category>
                <media:credit role="author" scheme="urn:ebu">BenHeine</media:credit>
                <media:credit role="author" scheme="urn:ebu">http://uc.artician.com/members/0/9/9801/avatar.jpg</media:credit> 
                <media:copyright url="http://benheine.artician.com/">Copyright 2009 BenHeine</media:copyright>
                <media:thumbnail url="http://m.artician.com/pu/2JR2JY3QW4JUVTJZWSE556LO4U7CYTFA.150.jpeg" height="150" width="150"/>
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            <item>
                <title>Francis Cabrel</title>
                <link>http://benheine.artician.com/portfolio/Francis-Cabrel/</link>
                <guid isPermaLink="true">http://benheine.artician.com/portfolio/Francis-Cabrel/</guid>
                <pubDate>Sat, 07 Nov 2009 21:55:33 -0500</pubDate>
                <media:title type="plain">Francis Cabrel</media:title>
                <media:description type="html"><![CDATA[<br /><div style="text-align: center;">(Click on &quot;View Original&quot; for <br />
high resolution, 300dpi, full quality...)<br />
<br />
 2009 <a href="http://www.benheine.com/">Ben Heine</a><br />
Contact me anytime at <br />
heinebenjamin@hotmail.com<br />
<br />
Francis Cabrel is a famous French singer and songwriter: <a href="http://www.franciscabrel.com">www.franciscabrel.com</a>/</div>]]></media:description>
                <media:keywords>frankrijk, france, french, compositeur, chanteur, "close up", musician, guitarist, songwriter, singer</media:keywords>
                <media:rating>nonadult</media:rating>
                <media:category label="Airbrush / Painting">Image/Digital Art</media:category>
                <media:credit role="author" scheme="urn:ebu">BenHeine</media:credit>
                <media:credit role="author" scheme="urn:ebu">http://uc.artician.com/members/0/9/9801/avatar.jpg</media:credit> 
                <media:copyright url="http://benheine.artician.com/">Copyright 2009 BenHeine</media:copyright>
                <media:thumbnail url="http://m.artician.com/pu/YQYXBBKITLQ2EFSVJH46UUNNTGMASFZT.150.jpeg" height="150" width="150"/>
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            <item>
                <title>The Making of a Digital Portrait - Francis Cabrel</title>
                <link>http://benheine.artician.com/portfolio/Making-of-a-Digital-Portrait-Francis-Cabrel/</link>
                <guid isPermaLink="true">http://benheine.artician.com/portfolio/Making-of-a-Digital-Portrait-Francis-Cabrel/</guid>
                <pubDate>Sat, 07 Nov 2009 21:47:08 -0500</pubDate>
                <media:title type="plain">The Making of a Digital Portrait - Francis Cabrel</media:title>
                <media:description type="html"><![CDATA[<br /><div style="text-align: center;">(Click on &quot;View Original&quot; for <br />
high resolution, 300dpi, full quality...)<br />
<br />
 2009 <a href="http://www.benheine.com/">Ben Heine</a><br />
Contact me anytime at <br />
heinebenjamin@hotmail.com<br />
<br />
Francis Cabrel is a famous French singer and songwriter: www.franciscabrel.com/</div>]]></media:description>
                <media:keywords></media:keywords>
                <media:rating>nonadult</media:rating>
                <media:category label="Airbrush / Painting">Image/Digital Art</media:category>
                <media:credit role="author" scheme="urn:ebu">BenHeine</media:credit>
                <media:credit role="author" scheme="urn:ebu">http://uc.artician.com/members/0/9/9801/avatar.jpg</media:credit> 
                <media:copyright url="http://benheine.artician.com/">Copyright 2009 BenHeine</media:copyright>
                <media:thumbnail url="http://m.artician.com/pu/M766H5Y6PTH3V6H3QGPYV4PGHR3G5HX4.150.jpeg" height="150" width="150"/>
                <media:thumbnail url="http://m.artician.com/pu/M766H5Y6PTH3V6H3QGPYV4PGHR3G5HX4.75.jpeg" height="75" width="75"/>
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            <item>
                <title>Paris from the Eiffel Tower</title>
                <link>http://benheine.artician.com/portfolio/Paris-from-the-Eiffel-Tower/</link>
                <guid isPermaLink="true">http://benheine.artician.com/portfolio/Paris-from-the-Eiffel-Tower/</guid>
                <pubDate>Sun, 01 Nov 2009 02:40:11 -0500</pubDate>
                <media:title type="plain">Paris from the Eiffel Tower</media:title>
                <media:description type="html"><![CDATA[<br /><div style="text-align: center;">(Full resolution for printing purposes, 9154 x 6268 pixels, 300 dpi, available <a href="http://www.flickr.com/photos/benheine/3994079347/sizes/o/">here</a>)<br />
<br />
 2009 <a href="http://www.benheine.com/">Ben Heine</a><br />
Contact me anytime at <br />
heinebenjamin@hotmail.com<br />
<br />
<br />
Welcome on &quot;Planet Paris&quot;! <img border="0" alt="Emotion: wink.gif" style="vertical-align: middle;" src="http://www.artician.com/forum/style_emoticons/default/wink.gif"/><br />
<br />
This is indeed a view of Paris from the top of the Eiffel Tower <br />
(324 meters/1063 feet high). The image is huge, please <br />
enlarge for full details... It actually is a montage of 12 photos <br />
(no fish eye, no wide angle...). It took me 2 days of work.</div>]]></media:description>
                <media:keywords>illustration, illusion, architecture, freedom, liberté, 16e, "16th arrondissement", "neuilly sur seine", famous, "planet paris"</media:keywords>
                <media:rating>nonadult</media:rating>
                <media:category label="Photography">Image/Photography</media:category>
                <media:credit role="author" scheme="urn:ebu">BenHeine</media:credit>
                <media:credit role="author" scheme="urn:ebu">http://uc.artician.com/members/0/9/9801/avatar.jpg</media:credit> 
                <media:copyright url="http://benheine.artician.com/">Copyright 2009 BenHeine</media:copyright>
                <media:thumbnail url="http://m.artician.com/pu/M35FRRBV24BXJHZTLKSTIJONUJCV5YSO.150.jpeg" height="150" width="150"/>
                <media:thumbnail url="http://m.artician.com/pu/M35FRRBV24BXJHZTLKSTIJONUJCV5YSO.75.jpeg" height="75" width="75"/>
                <media:content url="http://m.artician.com/pu/M35FRRBV24BXJHZTLKSTIJONUJCV5YSO.original.jpg" height="753" width="1100" medium="image"/>
                <media:content url="http://m.artician.com/pu/M35FRRBV24BXJHZTLKSTIJONUJCV5YSO.preview.jpeg" width="500" medium="image"/>
            </item>
            <item>
                <title>Barack Obama - Realistic Portrait - 2 -</title>
                <link>http://benheine.artician.com/portfolio/Barack-Obama-Realistic-Portrait-2-/</link>
                <guid isPermaLink="true">http://benheine.artician.com/portfolio/Barack-Obama-Realistic-Portrait-2-/</guid>
                <pubDate>Sun, 01 Nov 2009 02:27:30 -0500</pubDate>
                <media:title type="plain">Barack Obama - Realistic Portrait - 2 -</media:title>
                <media:description type="html"><![CDATA[<br /><div style="text-align: center;">(Full resolution for printing purposes, 3705 x 5130 pixels, 300 dpi, available <a href="http://www.flickr.com/photos/benheine/3914074782/sizes/o/">here</a>)<br />
<br />
 2009 <a href="http://www.benheine.com/">Ben Heine</a><br />
Contact me anytime at <br />
heinebenjamin@hotmail.com</div><br />
]]></media:description>
                <media:keywords>institution, discours, speech, "congrès américain", congress, santé, "réforme des soins de santé", "sécurité sociale", obamacare, medicaid</media:keywords>
                <media:rating>nonadult</media:rating>
                <media:category label="Airbrush / Painting">Image/Digital Art</media:category>
                <media:credit role="author" scheme="urn:ebu">BenHeine</media:credit>
                <media:credit role="author" scheme="urn:ebu">http://uc.artician.com/members/0/9/9801/avatar.jpg</media:credit> 
                <media:copyright url="http://benheine.artician.com/">Copyright 2009 BenHeine</media:copyright>
                <media:thumbnail url="http://m.artician.com/pu/HX6JSIFTWCOBAWVRB3VLJCLIRGFKI6TE.150.jpeg" height="150" width="150"/>
                <media:thumbnail url="http://m.artician.com/pu/HX6JSIFTWCOBAWVRB3VLJCLIRGFKI6TE.75.jpeg" height="75" width="75"/>
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            </item>
            <item>
                <title>Nowhere to be Found</title>
                <link>http://benheine.artician.com/portfolio/Nowhere-to-be-Found/</link>
                <guid isPermaLink="true">http://benheine.artician.com/portfolio/Nowhere-to-be-Found/</guid>
                <pubDate>Sun, 01 Nov 2009 02:19:31 -0500</pubDate>
                <media:title type="plain">Nowhere to be Found</media:title>
                <media:description type="html"><![CDATA[<br /><div style="text-align: center;">(Full resolution for printing purposes, 3008 x 3724 pixels, 300 dpi, available <a href="http://www.flickr.com/photos/benheine/3862782877/sizes/o/">here</a>)<br />
<br />
 2009 <a href="http://www.benheine.com/">Ben Heine</a><br />
Contact me anytime at <br />
heinebenjamin@hotmail.com</div>]]></media:description>
                <media:keywords>depth, "digital painting", "vieille voiture", "old car", volume, 2d, 4d, 3d, foin, brand</media:keywords>
                <media:rating>nonadult</media:rating>
                <media:category label="Photography">Image/Photography</media:category>
                <media:credit role="author" scheme="urn:ebu">BenHeine</media:credit>
                <media:credit role="author" scheme="urn:ebu">http://uc.artician.com/members/0/9/9801/avatar.jpg</media:credit> 
                <media:copyright url="http://benheine.artician.com/">Copyright 2009 BenHeine</media:copyright>
                <media:thumbnail url="http://m.artician.com/pu/MRWZKGDPQB2UXMY5SWUYOXUY57NAIJSZ.150.jpeg" height="150" width="150"/>
                <media:thumbnail url="http://m.artician.com/pu/MRWZKGDPQB2UXMY5SWUYOXUY57NAIJSZ.75.jpeg" height="75" width="75"/>
                <media:content url="http://m.artician.com/pu/MRWZKGDPQB2UXMY5SWUYOXUY57NAIJSZ.original.jpg" height="1024" width="827" medium="image"/>
                <media:content url="http://m.artician.com/pu/MRWZKGDPQB2UXMY5SWUYOXUY57NAIJSZ.preview.jpeg" width="500" medium="image"/>
            </item>
            <item>
                <title>Sea of Freedom</title>
                <link>http://benheine.artician.com/portfolio/Sea-of-Freedom/</link>
                <guid isPermaLink="true">http://benheine.artician.com/portfolio/Sea-of-Freedom/</guid>
                <pubDate>Sun, 01 Nov 2009 02:11:56 -0500</pubDate>
                <media:title type="plain">Sea of Freedom</media:title>
                <media:description type="html"><![CDATA[<br /><div style="text-align: center;">(Full resolution for printing purposes, 3600 x 4113 pixels, 300 dpi, available <a href="http://www.flickr.com/photos/benheine/3870934243/sizes/o/">here</a>)<br />
<br />
 2009 <a href="http://www.benheine.com/">Ben Heine</a><br />
Contact me anytime at <br />
heinebenjamin@hotmail.com</div>]]></media:description>
                <media:keywords>perfection, smart, clean, class, surrealism, côte, coast, sand, sable, "peter s. quinn"</media:keywords>
                <media:rating>nonadult</media:rating>
                <media:category label="Airbrush / Painting">Image/Digital Art</media:category>
                <media:credit role="author" scheme="urn:ebu">BenHeine</media:credit>
                <media:credit role="author" scheme="urn:ebu">http://uc.artician.com/members/0/9/9801/avatar.jpg</media:credit> 
                <media:copyright url="http://benheine.artician.com/">Copyright 2009 BenHeine</media:copyright>
                <media:thumbnail url="http://m.artician.com/pu/KQOBG6TCVXFCU7H2F56CPRC2GVUOGT3P.150.jpeg" height="150" width="150"/>
                <media:thumbnail url="http://m.artician.com/pu/KQOBG6TCVXFCU7H2F56CPRC2GVUOGT3P.75.jpeg" height="75" width="75"/>
                <media:content url="http://m.artician.com/pu/KQOBG6TCVXFCU7H2F56CPRC2GVUOGT3P.original.jpg" height="1024" width="896" medium="image"/>
                <media:content url="http://m.artician.com/pu/KQOBG6TCVXFCU7H2F56CPRC2GVUOGT3P.preview.jpeg" width="500" medium="image"/>
            </item>
            <item>
                <title>Together</title>
                <link>http://benheine.artician.com/portfolio/Together/</link>
                <guid isPermaLink="true">http://benheine.artician.com/portfolio/Together/</guid>
                <pubDate>Sun, 01 Nov 2009 02:01:20 -0500</pubDate>
                <media:title type="plain">Together</media:title>
                <media:description type="html"><![CDATA[<br /><br />
<div style="text-align: center;">(Full resolution for printing purposes, 3008 x 4268 pixels, 300 dpi, available <a href="http://www.flickr.com/photos/benheine/3860248701/sizes/o/">here</a>) <br />
<br />
 2009 <a href="http://www.benheine.com/">Ben Heine</a><br />
Contact me anytime at <br />
heinebenjamin@hotmail.com</div>]]></media:description>
                <media:keywords>"saint valentine's day", mariage, wesela, wedding, peace, freedom, eternity, ensemble, liefde, coeur</media:keywords>
                <media:rating>nonadult</media:rating>
                <media:category label="Airbrush / Painting">Image/Digital Art</media:category>
                <media:credit role="author" scheme="urn:ebu">BenHeine</media:credit>
                <media:credit role="author" scheme="urn:ebu">http://uc.artician.com/members/0/9/9801/avatar.jpg</media:credit> 
                <media:copyright url="http://benheine.artician.com/">Copyright 2009 BenHeine</media:copyright>
                <media:thumbnail url="http://m.artician.com/pu/KFDVRXNKVCHFQD3QW66DSWL2XIYUUKK6.150.jpeg" height="150" width="150"/>
                <media:thumbnail url="http://m.artician.com/pu/KFDVRXNKVCHFQD3QW66DSWL2XIYUUKK6.75.jpeg" height="75" width="75"/>
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            </item>
            <item>
                <title>Patrick Swayze - Ghost</title>
                <link>http://benheine.artician.com/portfolio/Patrick-Swayze-Ghost/</link>
                <guid isPermaLink="true">http://benheine.artician.com/portfolio/Patrick-Swayze-Ghost/</guid>
                <pubDate>Sun, 01 Nov 2009 01:51:37 -0400</pubDate>
                <media:title type="plain">Patrick Swayze - Ghost</media:title>
                <media:description type="html"><![CDATA[<br /><div style="text-align: center;">(Full resolution for printing purposes, 4000 x 5076, 300 dpi, available <a href="http://fc05.deviantart.com/fs50/f/2009/264/d/0/Patrick_Swayze___Ghost_by_BenHeine.jpg">here</a>)<br />
<br />
 2009 <a href="http://www.benheine.com/">Ben Heine</a><br />
Contact me anytime at <br />
heinebenjamin@hotmail.com</div><br />
<br />
<br />
Patrick Swayze was an American actor, dancer and singer-songwriter. He was best-known for his roles as romantic leading men in the films Dirty Dancing and Ghost and as Orry Main in the North and South television miniseries.<br />
<br />
Swayze was diagnosed with pancreatic cancer in early 2008. He continued acting until, in 2009, he became too ill to do so. Later the same year he died from the disease. RIP]]></media:description>
                <media:keywords></media:keywords>
                <media:rating>nonadult</media:rating>
                <media:category label="Airbrush / Painting">Image/Digital Art</media:category>
                <media:credit role="author" scheme="urn:ebu">BenHeine</media:credit>
                <media:credit role="author" scheme="urn:ebu">http://uc.artician.com/members/0/9/9801/avatar.jpg</media:credit> 
                <media:copyright url="http://benheine.artician.com/">Copyright 2009 BenHeine</media:copyright>
                <media:thumbnail url="http://m.artician.com/pu/E6V332WDRELEPTMIUCAZUYLAOXXK25XA.150.jpeg" height="150" width="150"/>
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                <media:content url="http://m.artician.com/pu/E6V332WDRELEPTMIUCAZUYLAOXXK25XA.preview.jpeg" width="500" medium="image"/>
            </item>
            <item>
                <title>Jean Sarkozy</title>
                <link>http://benheine.artician.com/portfolio/Jean-Sarkozy/</link>
                <guid isPermaLink="true">http://benheine.artician.com/portfolio/Jean-Sarkozy/</guid>
                <pubDate>Sun, 01 Nov 2009 01:38:07 -0400</pubDate>
                <media:title type="plain">Jean Sarkozy</media:title>
                <media:description type="html"><![CDATA[<br /><div style="text-align: center;">(Full resolution for printing purposes, 7805 x 10771 pixels, 300 dpi available <a href="http://fc09.deviantart.com/fs50/f/2009/303/e/5/Jean_Sarkozy_by_BenHeine.jpg">here</a>)<br />
<br />
 2009 <a href="http://www.benheine.com/">Ben Heine</a><br />
Contact me anytime at <br />
heinebenjamin@hotmail.com</div><br />
<br />
<br />
<br />
<b>Jean Sarkozy</b> is the son of the President of France, Nicolas Sarkozy from his first marriage, to Marie-Dominique Culioli. Jean is a regional councillor in the city of Neuilly-sur-Seine, France and (still) registered as a 1st year Law student at Paris 1 Pantheon-Sorbonne University in 2007.<br />
<br />
In 2009 Jean was offered to become head of Epad, the development agency for La Dfense, just west of Paris. La Dfense is an important office center, with 43 high-rise buildings, and its development agency controls an annual budget of more than 1 billion euro. French and many international newspapers reported this as a new case of nepotism. Much criticism has been made about the obvious lack of academic qualities and professional experience for such a high position. An online petition against the nomination has been diffused in all of the major news outlets and receives some 10,000 signatures a day. In October 2009, a survey found that 64% of French people oppose the arrival of Sarkozy at the Epad.<br />
<br />
The controversy prompted various ironic comments from the international press. The Daily Mail noted that &quot;when asked whether the President's son might be a bit young for such a relatively prestigious job, [EPAD's current president] responded using the traditional French political foil of quoting classic literature: 'In souls nobly born, valour does not depend upon age&quot;. The Times calls the nomination an &quot;astonishing act of nepotism by Nicolas Sarkozy&quot; and reminds that &quot;[Jean], who is repeating his second year of undergraduate law at the Sorbonne, after having repeated the first year. was elected to a Neuilly seat on the notoriously sleaze-ridden departement council last year. He was immediately given the job of heading Dad's Union for a Popular Movement on the body.&quot;<br />
<br />
The President of Medef replied to these criticisms saying she believed it was &quot;fantastic that a young and motivated man&quot; may want to be at the head of the largest business district in France. Likewise, Nicolas Sarkozy defended his son by saying that &quot;it's never good when someone is attacked in an excessive manner for no reason&quot;, not long however after having been mocked by some French medias for having fiercely underlined during an unrelated speech on high school reform that &quot;what matters in France to succeed does not anymore relate to birth privileges, rather, to succeed, it is important to work hard and to have demonstrated significant skills at school, at work.&quot; Jean Sarkozy said he is not going to give up the position, and demanded on French television not to be judged on his name, but on his acts. He received the support of David Douillet, a former champion of the world of Judo, newly elected as a deput under the flag of UMP.]]></media:description>
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            </item>
            <item>
                <title>Usain Bolt - Text Portrait</title>
                <link>http://benheine.artician.com/portfolio/Usain-Bolt-Text-Portrait/</link>
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                <pubDate>Sat, 31 Oct 2009 06:42:03 -0400</pubDate>
                <media:title type="plain">Usain Bolt - Text Portrait</media:title>
                <media:description type="html"><![CDATA[<br /><div style="text-align: center;">(Click on &quot;View Original&quot; for <br />
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<br />
 2009 <a href="http://www.benheine.com/">Ben Heine</a><br />
Contact me anytime at <br />
heinebenjamin@hotmail.com</div>]]></media:description>
                <media:keywords>"200 m", jamaica, "carl lewis", speed, fast, "world record", "médaille d'or", courir, run, race</media:keywords>
                <media:rating>nonadult</media:rating>
                <media:category label="Typography">Image/Digital Art</media:category>
                <media:credit role="author" scheme="urn:ebu">BenHeine</media:credit>
                <media:credit role="author" scheme="urn:ebu">http://uc.artician.com/members/0/9/9801/avatar.jpg</media:credit> 
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            <item>
                <title>Now Freeze</title>
                <link>http://benheine.artician.com/portfolio/Now-Freeze/</link>
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                <pubDate>Sat, 31 Oct 2009 06:25:04 -0400</pubDate>
                <media:title type="plain">Now Freeze</media:title>
                <media:description type="html"><![CDATA[<br /><div style="text-align: center;">(Click on &quot;View Original&quot; for <br />
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<br />
 2009 <a href="http://www.benheine.com/">Ben Heine</a><br />
Contact me anytime at <br />
heinebenjamin@hotmail.com</div>]]></media:description>
                <media:keywords>"now freeze", sfumato, coldness, froid, geler, spirit, brume, canada, "été indien", saison</media:keywords>
                <media:rating>nonadult</media:rating>
                <media:category label="Photography">Image/Photography</media:category>
                <media:credit role="author" scheme="urn:ebu">BenHeine</media:credit>
                <media:credit role="author" scheme="urn:ebu">http://uc.artician.com/members/0/9/9801/avatar.jpg</media:credit> 
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            </item>
            <item>
                <title>Barack Obama - Realistic Portrait</title>
                <link>http://benheine.artician.com/portfolio/Barack-Obama-Realistic-Portrait/</link>
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                <pubDate>Thu, 10 Sep 2009 09:00:59 -0400</pubDate>
                <media:title type="plain">Barack Obama - Realistic Portrait</media:title>
                <media:description type="html"><![CDATA[<br /><div style="text-align: center;">(Click on &quot;View Original&quot; for <br />
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<br />
 2009 <a href="http://www.benheine.com/">Ben Heine</a><br />
Contact me anytime at <br />
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<br />
<br />
Note: This is a digital painting based on a photo by Pete Souza, who personally met Obama. Please enlarge for better quality. It took me almost 30 hours of work. To give a scale of comparison, these portraits of Michael Jackson took me some 60 hours of work EACH:<br />
<br />
- <a href="http://www.flickr.com/photos/benheine/3728685685/">www.flickr.com/photos/benheine/3728685685/</a><br />
<br />
- <a href="http://www.flickr.com/photos/benheine/3677029800">www.flickr.com/photos/benheine/3677029800</a>]]></media:description>
                <media:keywords>discours, speech, "congrès américain", congress, santé, "réforme des soins de santé", "sécurité sociale", obamacare, medicaid, "social security"</media:keywords>
                <media:rating>nonadult</media:rating>
                <media:category label="3D Model / Render">Image/Digital Art</media:category>
                <media:credit role="author" scheme="urn:ebu">BenHeine</media:credit>
                <media:credit role="author" scheme="urn:ebu">http://uc.artician.com/members/0/9/9801/avatar.jpg</media:credit> 
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            </item>
            <item>
                <title>Newton's Apple Tree</title>
                <link>http://benheine.artician.com/portfolio/Newtons-Apple-Tree/</link>
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                <pubDate>Mon, 17 Aug 2009 01:09:45 -0400</pubDate>
                <media:title type="plain">Newton's Apple Tree</media:title>
                <media:description type="html"><![CDATA[<br /><div style="text-align: center;">(Click on &quot;View Original&quot; for <br />
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 2009 <a href="http://www.benheine.com/">Ben Heine</a><br />
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<br />
<br />
<div style="text-align: center;"><b>So Many Stars Out There</b><br />
<br />
By Peter S. Quinn<br />
<br />
So many stars out there<br />
To shine on to your heart<br />
Giving a glow somewhere<br />
To make you not feel apart<br />
<br />
Something of a dream along<br />
Finding its own way<br />
On to your love and song<br />
When there's light of day<br />
<br />
Eternally on its turn<br />
With their twinkling bright<br />
Falling and some burn<br />
On to the bottomless night<br />
<br />
You and I in love<br />
With every touch there is<br />
Just like the stars above<br />
In their eternal bliss<br />
Loving so truly now<br />
Within the glistening sow<br />
<br />
Feeling that came across<br />
Making their happy on<br />
Never at any darkish loss<br />
Until they were gone<br />
<br />
Times cannot stand still<br />
They always have to go<br />
For every dream fulfill<br />
In their ongoing glow<br />
<br />
You and I in love<br />
With every touch there is<br />
Just like the stars above<br />
In their eternal bliss<br />
Loving so truly now<br />
Within the glistening sow<br />
<br />
So many stars out there<br />
Each there shining for you<br />
So many stars out there<br />
Always for me and you<br />
Always for me and you<br />
<br />
--------------<br />
<br />
The poem appeared on www.poemhunter.com/peter-s-quinn</div>]]></media:description>
                <media:keywords>"peter s. quinn", "hubert lebizay", "isaac newton", arbre, tree, sky, "ben heine", "long exposure", falling, "étoiles filantes"</media:keywords>
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            </item>
            <item>
                <title>Mahatma Gandhi</title>
                <link>http://benheine.artician.com/portfolio/Mahatma-Gandhi/</link>
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                <pubDate>Mon, 17 Aug 2009 00:59:40 -0400</pubDate>
                <media:title type="plain">Mahatma Gandhi</media:title>
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 2009 <a href="http://www.benheine.com/">Ben Heine</a><br />
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<br />
<br />
Gandhi was the pre-eminent political and spiritual leader of India during the Indian independence movement. He was the pioneer of satyagraharesistance to tyranny through mass civil disobedience, firmly founded upon ahimsa or total non-violencewhich led India to independence and has inspired movements for civil rights and freedom across the world. Gandhi is commonly known around the world as Mahatma Gandhi and in India also as Bapu. He is officially honoured in India as the Father of the Nation; his birthday, 2 October, is commemorated there as Gandhi Jayanti, a national holiday, and worldwide as the International Day of Non-Violence.<br />
<br />
Gandhi first employed non-violent civil disobedience while an expatriate lawyer in South Africa, during the resident Indian community's struggle for civil rights. After his return to India in 1915, he organized protests by peasants, farmers, and urban labourers concerning excessive land-tax and discrimination. After assuming leadership of the Indian National Congress in 1921, Gandhi led nationwide campaigns to ease poverty, expand women's rights, build religious and ethnic amity, end untouchability, and increase economic self-reliance. Above all, he aimed to achieve Swaraj or the independence of India from foreign domination. Gandhi famously led his followers in the Non-cooperation movement that protested the British-imposed salt tax with the 400 km (249 mi) Dandi Salt March in 1930. Later he campaigned against the British to Quit India. Gandhi spent a number of years in jail in both South Africa and India.<br />
<br />
As a practitioner of ahimsa, he swore to speak the truth and advocated that others do the same. Gandhi lived modestly in a self-sufficient residential community and wore the traditional Indian dhoti and shawl, woven with yarn he had hand spun on a charkha. He ate simple vegetarian food, and also undertook long fasts as a means of both self-purification and social protest.<br />
<br />
More on Gandhi: en.wikipedia.org/wiki/Mohandas_Karamchand_Gandhi ]]></media:description>
                <media:keywords>encre, "ecoline ink", sepia, one, "civil rights", "south africa", lawyer, india, portrait, "ben heine"</media:keywords>
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                <media:category label="Painting">Image/Traditional Art</media:category>
                <media:credit role="author" scheme="urn:ebu">BenHeine</media:credit>
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            </item>
            <item>
                <title>Georges Simenon, Novelist</title>
                <link>http://benheine.artician.com/portfolio/Georges-Simenon-Novelist/</link>
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                <pubDate>Mon, 17 Aug 2009 00:53:01 -0400</pubDate>
                <media:title type="plain">Georges Simenon, Novelist</media:title>
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 2009 <a href="http://www.benheine.com/">Ben Heine</a><br />
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<br />
Note: This is a painting made with ecoline ink<br />
<br />
<br />
<br />
Belgian-born French novelist, one of the most skilled and prolific writers of detective fiction. Simenon is best known as the creator of Paris police detective Inspector MAIGRET. He turned out 84 Maigret mysteries and 136 other novels. Over 500 million copies of Simenon's books have been printed and translated into 50 languages.<br />
<br />
<br />
Georges Simenon was born in Lige on 13 February 1903, the first son of Dsir Simenon and Henriette Brll. Because his birthday was Friday the 13th, his superstitious aunt changed the date to February 12. Simenon's father was an accountant for an insurance company. He died in 1921. At the age of sixteen Simenon was forced by his father's ill health to abandon his studies. He worked as a baker and a bookseller and started his career as a writer at a local newspaper, Gazette de Lige. This experience provided the young Simenon with the perfect apprenticeship. At the age of seventeen he published his first novel. He joined a group of painters, writers, and dilettantes who called themselves La Caque (The Cask) and spent time drinking, trying drugs, and discussing philosophy and art. Later he returned to the group and several of its members in the novel LE PENDU DE SAINT PHOLIEN (1931). In 1923 he married Rgine Renchon, a young artist, whom he had met in Lige. The marriage ended in divorce.<br />
<br />
In 1922 Simenon went to Paris, publishing short stories and popular novels under almost two dozen different pen names. He worked as an office clerk for a right-wing writer, and was a secretary to a wealthy aristocrat, the Marquis de Tracy. Simenon lived in France from 1923 to 1939, during which time his writing turned into an industry of novels. Between 1923 and 1933 Simenon produced more than 200 books of pulp fiction under several pseudonyms. From 1931 to 1934 Simenon wrote 19 Maigret novels. After a pause of 8 years, Maigret returned again in 1942 with three new stories.<br />
<br />
The social life of Paris provided for the successful author innumerable sources of delight. In 1925 Simenon saw the legendary Josephine Baker dance in the famous show, La revue Ngre, and they became close friends. In 1928 and 1929 he sailed the rivers and canals of France, Holland, and Northern Europe, writing all the while. These journeys supplied material for several of his novels, among them LE CHARRETIER DE LA ' PROVIDENCE ' (1931). Throughout the 1930s Simenon lived in many houses, he cruised the Mediterranean, and travelled in Lapland, Africa, and eastern Europe. In Odessa Simenon saw starving people and was followed by the secret police. Simenon's LES GENS D'EN FACE (1933), an anti-communist novel, was considered by Andr Gide an accurate description of the Russian atmosphere.<br />
<br />
Between the years 1934 and 1935 Simenon made an around-the-world cruise. &quot;I have never been able to write a novel about a country which I have known only as a tourist, and I have never traveled around the world with a notebook in hand, jotting down impressions.&quot; (preface in Simenon: An American Omnibus, 1967)<br />
<br />
The first novel, which Simenon published under his own name, was PIETR-LE-LETTON (1930, The Strange Case of Peter the Lett), where he introduced to the public Inspector Maigret. The character was apparently modelled on the author's great-grandfather. In this and the following books Simenon combined his moral objectivity and psychological insight to create characters that are wholly credible. Another series character, Jean Dollent, &quot;the Little Doctor&quot;, appeared in short stories, which have been collected in The Little Doctor (1943). In the early 1930s Simenon produced eighteen Maigret books, but abandoned the character for eight years. By the end of the 1930s he was the favorite of such writers as Andr Gide, Ford Madox Ford (who mentions him in Vive Le Roy), and Robert Graves.<br />
<br />
In 1939 Simenon was appointed commissioner for Belgian refugees at La Rochelle. When the German army invaded France, Simenon settled in Fontenay. During the years of occupation he continued writing and enjoyed success in the film business - under Nazi bureaucracy nine films based on his text were produced.<br />
<br />
After the war Simenon found himself in the lists of collaborators. In 1945 he moved to Canada and from there to Tucson, Arizona. He spent the late 1940s and early 1950s in the United States. In New York Simenon met the bilingual young French-Canadian woman, Denyse Ouimet, with whom he had one of the great love affairs of his life. The relationship inspired the novel TROIS CHAMBRES  MANHATTAN (1946). He married Denise in 1949 and moved with his new family to Connecticut, where he lived for the next five years. During this period he wrote several novels with an American background. Belle (1954) was a story of murder in a small Connecticut community. The Hitchhiker (1955) explored a battle of wills between husband and wife, and The Brothers Rico (1954) was a Mafia story. Simenon's unusually hard-boiled style echoes the work of Dashiell Hammett and James M. Cain.<br />
<br />
&quot;Call me Mike.&quot;<br />
But there was no mistake about it. This was no license to get chummy with him. It applied to the respectful familiarity which in certain groups, in certain small towns, surrounds those of importance.<br />
<br />
He looked like a politician, a state senator, or a mayor, or like someone who bosses the political machine and makes judges and sheriffs alike. He could have played any role of these parts in the movies, especially in a Western, he knew, and it was obvious that it pleased him, that he kept polishing up the resemblance.<br />
&quot;How about a highball?&quot; he proposed, pointing at the bottle.<br />
&quot;I never drink.&quot;<br />
(from The Brothers Rico)<br />
<br />
Simenon's semi-autobiographic, naturalistic PEDIGREE (1948) was exceptionally long compared to most novels, over five hundred pages. Simenon wrote the book after a doctor misread an x-ray and told him that he had less than two years to live. The book was meant for his young son so that he would be able to know about his father when he grew up. However, Simenon still had 41 years ahead.<br />
<br />
In 1955 Simenon returned to Europe and settled eventually in Lausanne, Switzerland. Beneath the illusion of a happy household, Simenon's marriage was deteriorating and his family disintegrating. He had started a sexual relationship with Teresa Sburelin, a new servant, who became his devoted companion. In 1964 Denise entered a psychiatric clinic, never returning to Epalinges, their home. Her bitter memoir of the marriage, Un Oiseau pour le chat, was published in 1978. Simenon's daughter Marie-Jo began the first of several psychiatric treatments in 1966, but ultimately in 1978 she committed suicide. In MMOIRES INTIMES I-II (1981) Simenon blamed Denise for her death.<br />
<br />
The critic and awarded mystery writer H.R.F. Keating selected My Friend Maigret (1949) and Maigret in Court (1960) in 1987 for his list of the one hundred best crime novels. Maigret's method of investigation doesn't rely on vast amounts of police work. He operates more on the basis of intuition. His method also has many similarities with hermeneutics  the theory of interpretation, of understanding the significance of human actions, utterances, products, and institutions. In My Friend Maigret a small-time crook is murdered on the island of Porquerolles off the Mediterranean coast. Maigret is sent to investigate. He collects impressions, and tries to see behind the facts that the local inspector offers him. Thoughts start to rise up from his subconscious. &quot;He sensed a whole heap of things, as he always did at the start of a case, but he couldn't have said in what form this mist of ideas would sooner or later resolve itself.&quot; And in the end he finds the answer.<br />
<br />
A number of actors have impersonated Maigret in films and television series. Simenon's favorite was Jean Renoir's brother Pierre, who appeared in La Nuit du carrefour (1932). The director had happy memories of the film. His nephew Claude made his debut as a cameraman, Jacques Becker was producer, and the famous film critic and historian Jean Mitry was part of the crew. The film has been praised for its poetic atmosphere full of fog, rain, and car-lights. Jean Gabin played the inspector in Maigret tend un pige (1957), Maigret et l'affaire Saint-Fiacre (1959), and Maigret voit rouge (1963), carrying off the role with appropriate world-weariness. Simenon's stories have also inspired a number of other films, including L'ain des Ferchaux (1963), directed by Jean-Pierre Melville, starring Charles Vanel, Stfania Sandrelli, and Jean-Paul Belmondo. The story was remade in 2000 as a television series, directed by Bernard Stora. Belmondo played the old millionaire, Dieudonn Ferchaux.<br />
<br />
The Bibliothque Simenon opened in Lige in 1961, and in 1966 a statue of Commissaire Maigret was unveiled in Delfzijl, Holland. The last Maigret, MAIGRET ET MONSIEUR CHARLES, was published in 1972, and the next year Simenon announced his retirement. In the following years he published only non-fiction of an autobiographical sort. In his autobiography QUAND J'TAIS VIEUX (1971, When I Was Old) Simenon claimed to have had sex with more than twenty thousand different women. LETTRE  MA MRE (1974) examined his relationship to his mother. Simenon died in Lausanne, on September 4, 1989. He left instructions at his death that his body be cremated without any ceremony and that his ashes, mingled with his beloved daughter's, be scattered beneath a huge tree in the back garden of his last house in Lausanne.<br />
<br />
<br />
--&gt; This biography appeared on www.kirjasto.sci.fi/simenon.htm ]]></media:description>
                <media:keywords>"denyse ouimet", innocent, collaborator, "pen name", fame, talent, litterature, "régine renchon", romancier, novelist</media:keywords>
                <media:rating>nonadult</media:rating>
                <media:category label="Painting">Image/Traditional Art</media:category>
                <media:credit role="author" scheme="urn:ebu">BenHeine</media:credit>
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            </item>
            <item>
                <title>The Future is Bright</title>
                <link>http://benheine.artician.com/portfolio/The-Future-is-Bright/</link>
                <guid isPermaLink="true">http://benheine.artician.com/portfolio/The-Future-is-Bright/</guid>
                <pubDate>Thu, 06 Aug 2009 06:32:33 -0400</pubDate>
                <media:title type="plain">The Future is Bright</media:title>
                <media:description type="html"><![CDATA[<br /><div style="text-align: center;">(Click on &quot;View Original&quot; for <br />
high resolution, 300dpi, full quality...)<br />
<br />
 2009 <a href="http://www.benheine.com/">Ben Heine</a><br />
Contact me anytime at <br />
heinebenjamin@hotmail.com</div><br />
<br />
<br />
Please, see all my photos at <a href="http://www.flickr.com/photos/benheine/collections/72157618638073156/">this link</a> <br />
<br />
Most of them are available in high resolution, full size, 300 dpi...<br />
<br />
<br />
<br />
<b>We Need To Be Together</b><br />
<br />
By Peter S. Quinn<br />
<br />
The hour is falling free<br />
Into the reflections<br />
Of going mood<br />
Purpose and work about<br />
For you and for me<br />
River of words life's food<br />
<br />
Everything coming to go<br />
Passions of feelings loss<br />
Enormous ways you'll know<br />
Getting day's music across<br />
<br />
The times of being here<br />
In our answers to find<br />
About the thoughts<br />
We give and share<br />
Through the echoes<br />
Where we together<br />
Are entwined <br />
<br />
--------------<br />
<br />
The poem appeared on <a href="http://www.poemhunter.com/peter-s-quinn" target="_blank">http://www.poemhunter.com/peter-s-quinn</a> <br />
]]></media:description>
                <media:keywords>clouds, horizon, gazon, herbes, grass, child, mother, father, size, chaleur</media:keywords>
                <media:rating>nonadult</media:rating>
                <media:category label="Photography">Image/Photography</media:category>
                <media:credit role="author" scheme="urn:ebu">BenHeine</media:credit>
                <media:credit role="author" scheme="urn:ebu">http://uc.artician.com/members/0/9/9801/avatar.jpg</media:credit> 
                <media:copyright url="http://benheine.artician.com/">Copyright 2009 BenHeine</media:copyright>
                <media:thumbnail url="http://m.artician.com/pu/WELX2DZDI2IBRBNB2OCYQSY6CJDO5ZIL.150.jpeg" height="150" width="150"/>
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            </item>
            <item>
                <title>The CocoRosie Sisters</title>
                <link>http://benheine.artician.com/portfolio/The-CocoRosie-Sisters/</link>
                <guid isPermaLink="true">http://benheine.artician.com/portfolio/The-CocoRosie-Sisters/</guid>
                <pubDate>Thu, 23 Jul 2009 09:59:06 -0400</pubDate>
                <media:title type="plain">The CocoRosie Sisters</media:title>
                <media:description type="html"><![CDATA[<br /><div style="text-align: center;">(Click on &quot;View Original&quot; for <br />
high resolution, 300dpi, full quality...)<br />
<br />
 2009 <a href="http://www.benheine.com/">Ben Heine</a><br />
Contact me anytime at <br />
heinebenjamin@hotmail.com</div><br />
<br />
<br />
Note: This is a pencil drawing on A3 paper<br />
<br />
<br />
<br />
CocoRosie is an American duo based in France and formed by sisters Bianca Leilani &quot;Coco&quot; and Sierra Rose &quot;Rosie&quot; Casady in 2003.<br />
<br />
Sierra mainly plays the guitar, piano and harp, and contributes vocals. Bianca sings and manipulates various children's toys/electronic &amp; percussion instruments as well as other exotic noisemakers. CocoRosie performed strictly as a duo early on but in recent years they have appeared with various backing musicians at live shows, usually a bassist, synth player and beatboxer. They have been a very active touring group, playing a seemingly endless stream of dates across Europe and making several trips across the US and all points beyond.<br />
<br />
In late 2006 they appeared as a featured act at the Touch and Go Records 25th anniversary block party at the famed Hideout club in Chicago along with a reunited Big Black, Scratch Acid, Killdozer, The Ex, Uzeda and many others.<br />
<br />
In 2007 they appeared at the annual Coachella art and music festival in California.<br />
<br />
In early 2008 they performed together with the Royal Concertgebouw Orchestra in Amsterdam.<br />
<br />
More: <a href="http://en.wikipedia.org/wiki/CocoRosie" target="_blank">http://en.wikipedia.org/wiki/CocoRosie</a><br />
<br />
Also check out their website with photos, full bios, events and videos: <a href="http://www.hairnet-paradise.com/" target="_blank">http://www.hairnet-paradise.com/</a>]]></media:description>
                <media:keywords>hairnet-paradise.com, "pencil drawing", chanteuse, act, "sierra rose casady", "bianca leilani casady", incest, siamese, twins, gemini</media:keywords>
                <media:rating>nonadult</media:rating>
                <media:category label="Drawing">Image/Traditional Art</media:category>
                <media:credit role="author" scheme="urn:ebu">BenHeine</media:credit>
                <media:credit role="author" scheme="urn:ebu">http://uc.artician.com/members/0/9/9801/avatar.jpg</media:credit> 
                <media:copyright url="http://benheine.artician.com/">Copyright 2009 BenHeine</media:copyright>
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            </item>
            <item>
                <title>Michael Jackson - The Childhood He Has Never Known</title>
                <link>http://benheine.artician.com/portfolio/Michael-Jackson-The-Childhood-He-Has-Never-Known/</link>
                <guid isPermaLink="true">http://benheine.artician.com/portfolio/Michael-Jackson-The-Childhood-He-Has-Never-Known/</guid>
                <pubDate>Sat, 18 Jul 2009 21:20:38 -0400</pubDate>
                <media:title type="plain">Michael Jackson - The Childhood He Has Never Known</media:title>
                <media:description type="html"><![CDATA[<br /><div style="text-align: center;">(Click on &quot;View Original&quot; for <br />
high resolution, 300dpi, full quality...)<br />
<br />
 2009 <a href="http://www.benheine.com/">Ben Heine</a><br />
Contact me anytime at <br />
heinebenjamin@hotmail.com</div><br />
<br />
<br />
Please, don't miss my other MJ portraits:<br />
<br />
- <a href="http://www.flickr.com/photos/benheine/3677029800">M J - Heal the world</a><br />
<br />
- <a href="http://www.flickr.com/photos/benheine/3699136453">M J - INVINCIBLE</a><br />
<br />
- <a href="http://www.flickr.com/photos/benheine/3668777383">M J - Text Portrait</a><br />
<br />
<b><br />
Childhood</b><br />
<br />
By Michael Jackson<br />
<br />
Have you seen my childhood?<br />
Im searching for the world that I come from<br />
cause Ive been looking around<br />
In the lost and found of my heart...<br />
No one understands me<br />
They view it as such strange eccentricities...<br />
cause I keep kidding around<br />
Like a child, but pardon me...<br />
<br />
People say Im not okay<br />
cause I love such elementary things...<br />
Its been my fate to compensate,<br />
For the childhood<br />
Ive never known...<br />
<br />
Have you seen my childhood?<br />
Im searching for that wonder in my youth<br />
Like pirates in adventurous dreams,<br />
Of conquest and kings on the throne...<br />
<br />
Before you judge me, try hard to love me,<br />
Look within your heart then ask,<br />
Have you seen my childhood?<br />
<br />
People say Im strange that way<br />
cause I love such elementary things,<br />
Its been my fate to compensate,<br />
For the childhood Ive never known...<br />
<br />
Have you seen my childhood?<br />
Im searching for that wonder in my youth<br />
Like fantastical stories to share<br />
The dreams I would dare, watch me fly...<br />
<br />
Before you judge me, try hard to love me.<br />
The painful youth Ive had<br />
<br />
Have you seen my childhood....<br />
]]></media:description>
                <media:keywords>"digital work", fashion, popstar, trauma, suffering, tristesse, sadness, "ours en peluche", music, moonwalk</media:keywords>
                <media:rating>nonadult</media:rating>
                <media:category label="3D Model / Render">Image/Digital Art</media:category>
                <media:credit role="author" scheme="urn:ebu">BenHeine</media:credit>
                <media:credit role="author" scheme="urn:ebu">http://uc.artician.com/members/0/9/9801/avatar.jpg</media:credit> 
                <media:copyright url="http://benheine.artician.com/">Copyright 2009 BenHeine</media:copyright>
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            </item>
            <item>
                <title>Michael Jackson, I N V I N C I B L E</title>
                <link>http://benheine.artician.com/portfolio/Michael-Jackson-I-N-V-I-N-C-I-B-L-E/</link>
                <guid isPermaLink="true">http://benheine.artician.com/portfolio/Michael-Jackson-I-N-V-I-N-C-I-B-L-E/</guid>
                <pubDate>Wed, 08 Jul 2009 02:17:26 -0400</pubDate>
                <media:title type="plain">Michael Jackson, I N V I N C I B L E</media:title>
                <media:description type="html"><![CDATA[<br /><div style="text-align: center;">(Click on &quot;View Original&quot; for <br />
high resolution, 300dpi...)<br />
<br />
 2009 <a href="http://www.benheine.com/">Ben Heine</a><br />
Contact me anytime at <br />
heinebenjamin@hotmail.com</div><br />
<br />
<div style="text-align: left;"><br />
<br />
<b>We Had Him</b><br />
<br />
By Maya Angelou (*)<br />
<br />
Beloveds, now we know that we know nothing, now that our bright and shining star can slip away from our fingertips like a puff of summer wind.<br />
<br />
Without notice, our dear love can escape our doting embrace. Sing our songs among the stars and walk our dances across the face of the moon.<br />
<br />
In the instant that Michael is gone, we know nothing. No clocks can tell time. No oceans can rush our tides with the abrupt absence of our treasure.<br />
<br />
Though we are many, each of us is achingly alone, piercingly alone.<br />
<br />
Only when we confess our confusion can we remember that he was a gift to us and we did have him.<br />
<br />
He came to us from the creator, trailing creativity in abundance.<br />
<br />
Despite the anguish, his life was sheathed in mother love, family love, and survived and did more than that.<br />
<br />
He thrived with passion and compassion, humor and style. We had him whether we know who he was or did not know, he was ours and we were his.<br />
<br />
We had him, beautiful, delighting our eyes.<br />
<br />
His hat, aslant over his brow, and took a pose on his toes for all of us.<br />
<br />
And we laughed and stomped our feet for him.<br />
<br />
We were enchanted with his passion because he held nothing. He gave us all he had been given.<br />
<br />
Today in Tokyo, beneath the Eiffel Tower, in Ghana's Black Star Square.<br />
<br />
In Johannesburg and Pittsburgh, in Birmingham, Alabama, and Birmingham, England<br />
<br />
We are missing Michael.<br />
<br />
But we do know we had him, and we are the world.<br />
<br />
<br />
<br />
(*) Dr. Maya Angelou is an American poet born in 1928. She is known as one of the great voices of contemporary literature. As a poet, educator, historian, best-selling author, actress, playwright, civil-rights activist, producer and director, she continues to travel the world, spreading her wisdom. Within the rhythm of her poetry and elegance of her prose lies Angelou's power to help readers of every orientation span the lines of race.<br />
<br />
The above poem was written by Maya Angelou for Michael Jackson's public memorial at the Staples Center in Los Angeles. It was read by Queen Latifah, one of the many celebrities that paid tribute to the King of Pop.<br />
<br />
------------------<br />
<br />
The poem appeared on www.mtv.com </div>]]></media:description>
                <media:keywords>"quincy jones", shine, rip, songwriter, dance, unique, tribute, love, "ben heine", "jackson 5"</media:keywords>
                <media:rating>nonadult</media:rating>
                <media:category label="Airbrush / Painting">Image/Digital Art</media:category>
                <media:credit role="author" scheme="urn:ebu">BenHeine</media:credit>
                <media:credit role="author" scheme="urn:ebu">http://uc.artician.com/members/0/9/9801/avatar.jpg</media:credit> 
                <media:copyright url="http://benheine.artician.com/">Copyright 2009 BenHeine</media:copyright>
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            </item>
            <item>
                <title>Michael Jackson - Heal the world</title>
                <link>http://benheine.artician.com/portfolio/Michael-Jackson-Heal-the-world/</link>
                <guid isPermaLink="true">http://benheine.artician.com/portfolio/Michael-Jackson-Heal-the-world/</guid>
                <pubDate>Sun, 05 Jul 2009 15:46:48 -0400</pubDate>
                <media:title type="plain">Michael Jackson - Heal the world</media:title>
                <media:description type="html"><![CDATA[<br /><div style="text-align: center;">(Click on &quot;View Original&quot; for <br />
high resolution, 300dpi...)<br />
<br />
 2009 <a href="http://www.benheine.com/">Ben Heine</a><br />
Contact me anytime at <br />
heinebenjamin@hotmail.com<br />
<br />
<br />
<b><br />
Heal The World</b><br />
<br />
By Michael Jackson<br />
<br />
There's A Place In<br />
Your Heart<br />
And I Know That It Is Love<br />
And This Place Could Be Much<br />
Brighter Than Tomorrow<br />
And If You Really Try<br />
You'll Find There's No Need<br />
To Cry<br />
In This Place You'll Feel<br />
That There's No Hurt Or Sorrow<br />
<br />
There Are Ways<br />
To Get There<br />
If You Care Enough<br />
For The Living<br />
Make A Little Space<br />
Make A Better Place...<br />
<br />
Heal The World<br />
Make It A Better Place<br />
For You And For Me<br />
And The Entire Human Race<br />
There Are People Dying<br />
If You Care Enough<br />
For The Living<br />
Make A Better Place<br />
For You And For Me<br />
<br />
If You Want To Know Why<br />
There's A Love That<br />
Cannot Lie<br />
Love Is Strong<br />
It Only Cares For<br />
Joyful Giving<br />
If We Try<br />
We Shall See<br />
In This Bliss<br />
We Cannot Feel<br />
Fear Or Dread<br />
We Stop Existing And<br />
Start Living<br />
<br />
Then It Feels That Always<br />
Love's Enough For<br />
Us Growing<br />
Make A Better World<br />
Make A Better World...<br />
<br />
Heal The World<br />
Make It A Better Place<br />
For You And For Me<br />
And The Entire Human Race<br />
There Are People Dying<br />
If You Care Enough<br />
For The Living<br />
Make A Better Place<br />
For You And For Me<br />
<br />
And The Dream We Were<br />
Conceived In<br />
Will Reveal A Joyful Face<br />
And The World We<br />
Once Believed In<br />
Will Shine Again In Grace<br />
Then Why Do We Keep<br />
Strangling Life<br />
Wound This Earth<br />
Crucify Its Soul<br />
Though It's Plain To See<br />
This World Is Heavenly<br />
Be God's Glow<br />
<br />
We Could Fly So High<br />
Let Our Spirits Never Die<br />
In My Heart<br />
I Feel You Are All<br />
My Brothers<br />
Create A World With<br />
No Fear<br />
Together We'll Cry<br />
Happy Tears<br />
See The Nations Turn<br />
Their Swords<br />
Into Plowshares<br />
<br />
We Could Really Get There<br />
If You Cared Enough<br />
For The Living<br />
Make A Little Space<br />
To Make A Better Place...<br />
<br />
Heal The World<br />
Make It A Better Place<br />
For You And For Me<br />
And The Entire Human Race<br />
There Are People Dying<br />
If You Care Enough<br />
For The Living<br />
Make A Better Place<br />
For You And For Me<br />
<br />
Heal The World<br />
Make It A Better Place<br />
For You And For Me<br />
And The Entire Human Race<br />
There Are People Dying<br />
If You Care Enough<br />
For The Living<br />
Make A Better Place<br />
For You And For Me<br />
<br />
Heal The World<br />
Make It A Better Place<br />
For You And For Me<br />
And The Entire Human Race<br />
There Are People Dying<br />
If You Care Enough<br />
For The Living<br />
Make A Better Place<br />
For You And For Me<br />
<br />
There Are People Dying<br />
If You Care Enough<br />
For The Living<br />
Make A Better Place<br />
For You And For Me<br />
<br />
There Are People Dying<br />
If You Care Enough<br />
For The Living<br />
Make A Better Place<br />
For You And For Me<br />
<br />
You And For Me<br />
Make it a better place<br />
You And For Me<br />
Make it a better place<br />
You And For Me<br />
Make it a better place<br />
You And For Me<br />
Heal the world we live in<br />
You And For Me<br />
Save it for our children<br />
You And For Me<br />
Heal the world we live in<br />
You And For Me<br />
Save it for our children<br />
You And For Me<br />
Heal the world we live in<br />
You And For Me<br />
Save it for our children<br />
You And For Me<br />
Heal the world we live in<br />
You And For Me<br />
Save it for our children</div>]]></media:description>
                <media:keywords>"quincy jones", rip, songwriter, dance, unique, tribute, love, "ben heine", "jackson 5", "roi de la pop"</media:keywords>
                <media:rating>nonadult</media:rating>
                <media:category label="Airbrush / Painting">Image/Digital Art</media:category>
                <media:credit role="author" scheme="urn:ebu">BenHeine</media:credit>
                <media:credit role="author" scheme="urn:ebu">http://uc.artician.com/members/0/9/9801/avatar.jpg</media:credit> 
                <media:copyright url="http://benheine.artician.com/">Copyright 2009 BenHeine</media:copyright>
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            </item>
            <item>
                <title>Michael Jackson, Text Portrait</title>
                <link>http://benheine.artician.com/portfolio/Michael-Jackson-Text-Portrait/</link>
                <guid isPermaLink="true">http://benheine.artician.com/portfolio/Michael-Jackson-Text-Portrait/</guid>
                <pubDate>Sun, 05 Jul 2009 15:32:44 -0400</pubDate>
                <media:title type="plain">Michael Jackson, Text Portrait</media:title>
                <media:description type="html"><![CDATA[<br /><div style="text-align: center;">(Click on &quot;View Original&quot; for <br />
high resolution, 300dpi...)<br />
<br />
 2009 <a href="http://www.benheine.com/">Ben Heine</a><br />
Contact me anytime at <br />
heinebenjamin@hotmail.com</div><br />
<br />
<br />
<br />
<b>Troubled Musical Genius: Michael Jackson</b><br />
<br />
By www.news.bbc.co.uk<br />
<br />
Michael Jackson's unique blend of soul, funk and rock made him the biggest pop act in the world.<br />
<br />
Beyond this, his business acumen and intuitive understanding of the music market allowed him to showcase his remarkable talents.<br />
<br />
Michael Jackson sold records by the million - and broke records too.<br />
<br />
With the soulful vocal presence of Marvin Gaye and Stevie Wonder and the dance moves of James Brown, Jackson's appeal crossed both national and racial boundaries.<br />
<br />
His first break came in 1968, when the Jackson Five signed to the Motown label, and he was just 11 when the group released its first single.<br />
<br />
Hits like I Want You Back, ABC, The Love You Save, and I'll Be There, which all went to number one in the United States in 1970, made the Jackson Five the first group in pop history to have their first four singles top the charts.<br />
<br />
Before long, the youngest member of the Jackson Five was beginning to outstrip his brothers.<br />
<br />
A series of solo hits, including Got To Be There, Rockin' Robin and Ben - the maudlin, yet chart-topping, paean to a rat - had shown that the promise of early years had come to fruition.<br />
<br />
By the mid-1970s, both Michael's, and his brothers', careers were beginning to stall. Motown has ended its interest in the group, which had re-signed - as the Jacksons - to the Epic label.<br />
<br />
But it was while Michael was working on the film musical The Wiz, an all-black retelling of the Wizard of Oz - in which he played the Scarecrow to Diana Ross's Dorothy - that he met the man who would turn him into a superstar and transform the world of popular music.<br />
<br />
Music producer, composer and arranger, Quincy Jones, who could already boast a formidable track record, having created hits for artists like Frank Sinatra, Aretha Franklin and George Benson, took Jackson's raw talent and moulded it into an awesome new sound.<br />
<br />
<br />
<b>Video extravaganza</b><br />
<br />
Their first collaboration, Off The Wall, released in 1979, became the first album to provide four top ten US hits for an artist: the title track, Don't Stop Till You Get Enough, Rock With You and She's Out of My Life.<br />
<br />
Four years later came Thriller, the album which would define his career. A heady mix of disco, R&amp;amp;B and funk, its nine tracks spawned seven hit singles and became the best-selling album of all time, with at least 55 million copies bought to date.<br />
<br />
Having already experimented with video on Off The Wall, Jackson now took the new medium to new heights.<br />
<br />
The John Landis-directed film, accompanying the album's title track, was a 16-minute big-budget extravaganza, featuring cutting-edge special effects and the voice of veteran horror actor, Vincent Price.<br />
<br />
The Thriller video, and its companion, Beat It, also ended MTV's neglect of black artists, while making the mini-musical blockbuster de rigueur for any self-respecting pop star.<br />
<br />
Besides his successful solo career, Jackson also recorded a series of hit duets with Paul McCartney, who had written the Off The Wall track, Girlfriend.<br />
<br />
The two stars appeared on one another's albums with songs like The Girl Is Mine and the chart-topping Say Say Say.<br />
<br />
<b><br />
Stripped-down sound</b><br />
<br />
The relationship soured, though, in 1985, when Jackson outbid both McCartney and Yoko Ono to secure the ATV music-publishing catalogue, which included the rights to more than 250 Lennon/McCartney songs.<br />
<br />
Not for the first time, Jackson's ruthless business streak had asserted itself.<br />
<br />
The same year also saw the USA For Africa charity single, We Are The World, co-written by Jackson and Lionel Ritchie, reach number one in the US.<br />
<br />
The Jackson phenomenon showed no sign of slowing down when, in 1987, he released the third, and final, Quincy Jones-produced album, Bad.<br />
<br />
With five number one hits, including Man in the Mirror and Dirty Diana, the album also featured a 17-minute video, courtesy of Martin Scorsese, to promote the title track and a year-long world tour, at the time the largest-grossing in history.<br />
<br />
Dangerous, Jackson's 1991 outing, featured a more stripped-down sound than its three predecessors.<br />
<br />
But the magic remained, and tracks like Heal the World and Black and White soon became worldwide hits, despite the tabloid headlines and court cases which now threatened to damage the singer's reputation.<br />
<br />
But his 1995 album, a compilation of old hits and new material entitled HIStory, failed to ignite the popular imagination.<br />
<br />
<br />
<b>Controversy</b><br />
<br />
Despite the biggest-ever publicity campaign for an album, estimated at $30m, HIStory enjoyed a brief appearance in the charts.<br />
<br />
Whether this was due to the star's increasingly erratic behaviour, continuing speculation about his private life or just the public turning increasingly to rap and hip-hop, is a matter for debate.<br />
<br />
But one track, in particular - They Don't Care About Us, with the lyrics, &amp;quot;Jew me, sue me&amp;quot; - outraged many people including Jackson's long-time friend and supporter Steven Spielberg, who saw it as anti-Semitic.<br />
<br />
And his appearance at the 1996 Brit Awards ceremony in London, surrounded by children and a rabbi, proved too much for some, most notably Pulp's Jarvis Cocker, who showed his displeasure by storming the stage and interrupting the performance.<br />
<br />
Michael Jackson's final album, Invincible (2001) was released at a time when he looked anything but.<br />
<br />
A swirl of controversy, including Jackson's repeated assertions that his record company, Sony, had asked for their money back - all $200m of it - and that the label's chairman, Tommy Mottola, held black artists back, effectively drowned out the music.<br />
<br />
It seemed an underwhelming end to what had been one of the most spectacular of all musical careers.<br />
<br />
In recent years, Jackson was plagued by money problems and shielded himself from public view.<br />
<br />
Arrested in 2003 on charges of molesting a 14-year-old boy, he was cleared in June 2005 after a five-month trial.<br />
<br />
As rumours of bankruptcy circled after the trial, Jackson moved for a period to the Middle East.<br />
<br />
There he befriended the king of Bahrain's son, Sheikh Abdulla Bin Hamad Bin Isa Al-Khalifa, who helped fund Jackson's lavish lifestyle.<br />
<br />
But the sheikh later sued Jackson for $7m (4.7m), saying the star had reneged on a music contract that would have been used to pay back loans. The pair settled out of court last year.<br />
<br />
Jackson was due to begin a series of sold-out comeback concerts, starting with an appearance in London next month.<br />
<br />
Hundreds of fans queued at the O2 arena as tickets went on sale to the public and more than a quarter of a million people queued online.<br />
<br />
In the end, around 750,000 tickets were sold for the 50-date residency - which Jackson had billed his &amp;quot;final curtain call&amp;quot;.<br />
<br />
Rehearsals for the show were under way when the star suffered a cardiac arrest at his home in Bel Air. He was later pronounced dead at the UCLA medical centre in Los Angeles.]]></media:description>
                <media:keywords>"quincy jones", rip, "ben heine", dancer, unique, tribute, "text portrait", tragic, "jackson 5", "roi de la pop"</media:keywords>
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                <media:category label="Typography">Image/Digital Art</media:category>
                <media:credit role="author" scheme="urn:ebu">BenHeine</media:credit>
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            </item>
            <item>
                <title>Oh Shit, Another Email/Spam!</title>
                <link>http://benheine.artician.com/portfolio/Oh-Shit-Another-EmailSpam/</link>
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                <pubDate>Sun, 03 May 2009 12:43:27 -0400</pubDate>
                <media:title type="plain">Oh Shit, Another Email/Spam!</media:title>
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 2009 <a href="http://www.benheine.com/">Ben Heine</a><br />
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<br />
<br />
<b>Email Spam Harmful to Environment</b><br />
<br />
Spam emails are a nuisance, clogging up inboxes and cluttering accounts, but a new report says the unwanted messages can also be damaging to the environment.<br />
<br />
The report by security technology company McAfee Inc. says researchers found the amount of energy used to transmit, process and filter spam emails totals 22 billion kilowatt hours annually.<br />
<br />
We are raising environmental awareness in different ways, said David Marcus, the security research and communication director for McAfee Avert Labs.<br />
<br />
He said the report shows the yearly environmental impact from spam emails adds up to a person driving around the world 1.6 million times.<br />
<br />
The emission associated with a single spam message is only a meagre 0.3 grams of carbon dioxide, but multiplied, Marcus said the impact is severe.<br />
	<br />
You may think thats fluff, thats a dinky amount, but when you take a look at 2008 and you realize there was 62 trillion email messages that were spam, that actually adds up to an awful lot of carbon. I think its actually the same amount of power that would power 3.1 million homes.<br />
<br />
Marcus said 80 per cent of the energy expended comes from users deleting the spam from their inboxes.<br />
<br />
Good filtering technology prevents junk messages from ever ending up in inboxes, saving massive amounts of energy and much frustration, according to McAfee, which is known for its anti-spam and anti-virus products.<br />
<br />
However, Marcus said the study hasnt compared the research to the general energy consumed through other Internet uses such as web surfing.<br />
<br />
Believe it or not, regular email consumes more energy and creates more carbon emissions than spam email, he said.<br />
<br />
But take into account that rough estimates put most email traffic at 80 to 85 per cent of spam anyway, so the vast majority of email traffic out there is spam. <br />
<br />
--------------<br />
<br />
--&gt; This article appeared on <a href="http://lifewise.canoe.ca">http://lifewise.canoe.ca</a>]]></media:description>
                <media:keywords>traffic, "carbon emissions", "anti-virus, "anti-spam", énergie, pollution, dizzy, fuir, echapper, run</media:keywords>
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                <media:credit role="author" scheme="urn:ebu">BenHeine</media:credit>
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            </item>
            <item>
                <title>Nina Simone</title>
                <link>http://benheine.artician.com/portfolio/Nina-Simone/</link>
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                <pubDate>Sun, 03 May 2009 12:15:22 -0400</pubDate>
                <media:title type="plain">Nina Simone</media:title>
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 2009 <a href="http://www.benheine.com/">Ben Heine</a><br />
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<br />
<br />
Nina Simone was born Eunice Kathleen Waymon in 1933 in North Carolina, the sixth of seven children in a poor family. She began playing the piano at age 4 and was classically trained, attending the Juilliard School in New York for one year. She had hoped to attend the prestigious Curtis Institute of Music in Philadelphia, but was rejected  one of many disappointments she would attribute to racism.<br />
<br />
Simone turned to singing jazz and popular music as a way to make money, performing in nightclubs in Philadelphia and Atlantic City, N.J. In the late 1950s Simone recorded her first tracks, including &quot;Plain Gold Ring&quot; and &quot;Don't Smoke in Bed.&quot; But she gained fame in 1959 with her recording of &quot;I Loves You Porgy,&quot; from the George and Ira Gershwin Broadway musical, &quot;Porgy &amp; Bess.&quot; Soon Nina Simone the nightclub singer became Nina Simone the star, performing at Town Hall, Carnegie Hall and the Newport Jazz Festival.<br />
<br />
There was a time when Nina Simone was dubbed &quot;the high priestess of soul,&quot; a term she hated, not only because it smacked of marketing hype but because it tried to put her in a box she'd never have fit in comfortably. While Simone certainly invested all her work with soul, she blurred boundaries and jumped genres, embracing jazz, pop, blues, spirituals, folk, French chansons, African song and the works of contemporary songwriters like Bob Dylan, Leonard Cohen, the Bee Gees and the Beatles -- Simone's reading of &quot;Here Comes the Sun&quot; remains a transcendent moment of elegance and joy. Simone was also one of the first African American artists to embrace traditional African garb, adding regal bearing to her already dramatic presence.<br />
<br />
Simone was a crucial voice in the civil rights era, when some of her most striking work addressed the horrors and injustices attending blacks in the South, incendiary tracts like &quot;Mississippi Goddam&quot; (inspired by the 1963 Birmingham church bombing that killed four black girls), &quot;Old Jim Crow&quot; and &quot;Backlash Blues&quot; (based on a poem written for Simone by Langston Hughes). Like jazz artists Abbey Lincoln, Max Roach and Charles Mingus, Simone used her populist platform to shine a bright light into ugly corners of American society.<br />
<br />
It is ironic that Simone's first and only American hit came early in her career. The 1957 recording of George Gershwin's &quot;I Loves You Porgy&quot; went Top 20, the only Top 40 entry of a career that covered 45 years. Confirming the vagaries of pop culture, Simone did enjoy a top-five single in England in 1987, when a three-decade-old recording of &quot;My Baby Just Cares for Me&quot; -- from the same &quot;Little Girl Blue&quot; album that included &quot;Porgy&quot; -- became a hit after being used in a television commercial.<br />
<br />
What was always evident in Simone's style was a powerful contralto that expressed her highly personal interpretations of varied materials, subtly shaded by her assured piano underscoring. You can hear Nina's classical training come out on many of her recordings. She initially trained to be a classical pianist, but found there to be few opportunities in the field for African Americans in the 1950s. It was then that in order to support her further musical education, she made a living accompanying classical singers. When an opportunity to work in an Atlantic City lounge cropped up in 1954, it was on the condition that she sang as well as played. That's when Eunice Waymon became Nina Simone, out of fear of offending her handyman father and, perhaps more important, her Methodist minister mother. Up to that point, Simone had never sung in public.<br />
<br />
Simone started off exploring the Great American Songbook, but also expanded her repertoire with stately spirituals like &quot;He's Got the Whole World in His Hands&quot; and reconstituted folk standards like &quot;House of the Rising Sun&quot; and &quot;Black Is the Color of My True Love's Hair.&quot; Whatever the material, Simone offered it on her terms.<br />
<br />
Her recording career started in the mid-'50s on the Bethlehem label, and even though she was never a particularly &quot;commercial&quot; presence, she was prolific: The online site All Music Guide lists almost 100 albums (including compilations). Many of the best are live albums that capture the artist's charisma, tenderness and fervor -- as well as the occasional firestorm of anger and frustration. Because Simone was so productive, particularly in the first two decades of her career, she could be annoyingly erratic and inconsistent on record: her best-ofs are often the best representation of less-than-stellar efforts, but there's usually at least one gem on every album she recorded.<br />
<br />
By the late '60s, Nina Simone had grown weary of American racial politics and frustrated with the level of her commercial success. She relocated to Europe, where she felt more appreciated as both an artist and a black person. She lived at various times in Switzerland, France and England, as well as Liberia and Barbados. When Simone performed at Lisner Auditorium in 1992, it was her first Washington appearance in 15 years; her last was in June of 2001, when she filled Constitution Hall with fans who excused the singer's time-worn voice and apparent health problems and enthusiastically applauded her indomitable spirit and proud history.<br />
<br />
---------------<br />
<br />
--&gt; This biography appeared on <a href="http://www.swingmusic.net/">www.swingmusic.net/</a> ]]></media:description>
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                <title>Barack Obama - Influenza H1N1 (Ben Heine after Shepard Fairey)</title>
                <link>http://benheine.artician.com/portfolio/Barack-Obama-Influenza-H1N1-Ben-Heine-after-Shepard-Fairey/</link>
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                <pubDate>Fri, 01 May 2009 10:49:45 -0400</pubDate>
                <media:title type="plain">Barack Obama - Influenza H1N1 (Ben Heine after Shepard Fairey)</media:title>
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 2009 <a href="http://www.benheine.com/">Ben Heine</a><br />
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<br />
<br />
<b><i>Influenza A virus subtype H1N1, also known as A(H1N1), is a subtype of influenza virus A and the most common cause of influenza (flu) in humans. Some strains of H1N1 are endemic in humans, including the strain(s) responsible for the 1918 flu pandemic which killed 50100 million people worldwide. Less virulent H1N1 strains still exist in the wild today, worldwide, causing a small fraction of all influenza-like illness and a large fraction of all seasonal influenza. H1N1 strains caused roughly half of all flu infections in 2006. Other strains of H1N1 are endemic in pigs and in birds.<br />
<br />
In March and April 2009, hundreds of laboratory-confirmed infections and a number of deaths were caused by an outbreak of a new strain of H1N1.</i></b><br />
<br />
-------------<br />
<br />
<b>H1N1 Swine Flu: Barack Obama and the First Deadly Mistake</b><br />
<br />
By <a href="http://www.lifegen.de">Lifegen.de</a><br />
<br />
The H1N1 swine flu hits the US, and for the first time President Barack Obama seems to make a deadly mistake: A disease spread simulation has emphasized that flu interventions must be imposed quickly, if they are to be effective. Researchers writing in the open access journal BMC Public Health have shown that staying at home, closing schools and isolating infected people within the home should reduce infection, but only if they are used in combination, activated without delay and maintained for a relatively long period. The President should have acted by enforcing social separation - but economic items seem to be more important.<br />
<br />
What all the President's men should have known: Professor George Milne and his colleagues from the University of Western Australia (UWA) simulated the effect of social distancing on the spread of a flu virus within a small town. Their research used a detailed, individual-based model of a real community with a population of approximately 30,000 (Albany, Australia) using simulation software engineered by UWAs Dr Joel Kelso. Milne said, Our results suggest a critical role of combined social distancing measures in the potential control of a future pandemic. Non-pharmaceutical social distancing interventions are capable of preventing less-infectious influenza epidemics and of significantly reducing the rate of development and overall burden of the worst epidemics.<br />
<br />
The research investigated the effects, alone and in combination, of workplace non-attendance, school closure, isolating infected family members inside the home and reducing contact within the wider community. According to Milne, While such draconian measures seem unlikely to be mandated given their impact on personal freedom, they appear to have a key role to play in delaying the development of a worst case influenza epidemic. They may be critical in holding back an epidemic until vaccines are deployed on a sufficient scale that subsequent relaxation of these rigorous measures will not result in a consequential acceleration in the scale of the outbreak.<br />
<br />
The measures described must, however, be employed as soon as possible after the first individuals within the population have been infected, if not preemptively. This study found that, for an outbreak of influenza approximately as infectious as the 1918 Spanish Flu pandemic, the combination of all intervention measures must be introduced within 2 weeks of the first case appearing in a town or city, to prevent an epidemic developing. Delays of 2, 3 and 4 weeks resulted in final attack rates of 7%, 21% and 45% respectively.<br />
<br />
Milne concludes, Social distancing interventions are important as they represent the only type of intervention measure guaranteed to be available against a novel strain of influenza in the early phases of a pandemic. They may be readily activated and thought of as a first line of defence in developing and developed countries alike.<br />
<br />
------------<br />
<br />
--&gt; This article appeared on <a href="http://www.lifegen.de" target="_blank">http://www.lifegen.de</a><br />
]]></media:description>
                <media:keywords>promiscuité, community, "school closure", epidemic, future, uwa, "social separation", action, home, isolation</media:keywords>
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                <title>Barack Obama - Martin Luther King</title>
                <link>http://benheine.artician.com/portfolio/Barack-Obama-Martin-Luther-King/</link>
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                <pubDate>Fri, 17 Apr 2009 03:16:50 -0400</pubDate>
                <media:title type="plain">Barack Obama - Martin Luther King</media:title>
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 2009 <a href="http://www.benheine.com/">Ben Heine</a><br />
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<br />
<br />
<b>Yes we can </b><br />
<br />
By Peter S. Quinn<br />
<br />
Yes we can<br />
When it comes tomorrow<br />
Yes we can<br />
We have no time to borrow<br />
Just understand<br />
Closeness to loves heart<br />
Is all at our command<br />
<br />
This heart is made to cure<br />
And set up dreams come true<br />
Take away times insecure<br />
And make some time for you<br />
Dont let this heart now cry<br />
With timeless falling rain<br />
Or love from it say goodbye<br />
Because its love was in pain<br />
<br />
Yes we can<br />
When it comes tomorrow<br />
Yes we can<br />
We have no time to borrow<br />
<br />
All is happening right now<br />
To offer new peace its try<br />
Making it together somehow<br />
Wherever true affluence lie<br />
Yes this we must all work on<br />
To discover lives ingenuous gift<br />
Before our conducts is gone<br />
Into days of desperate shift<br />
<br />
Yes we can<br />
When it comes tomorrow<br />
Yes we can<br />
We have no time to borrow<br />
Just understand<br />
Closeness to loves heart<br />
Is all at our command...&quot;<br />
<br />
(The poem appeared on <a href="http://www.poemhunter.com/peter-s-quinn/poems/" target="_blank">http://www.poemhunter.com/peter-s-quinn/poems/</a>)</div><br />
<br />
]]></media:description>
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            </item>
            <item>
                <title>Carrying Your Heart With Me</title>
                <link>http://benheine.artician.com/portfolio/Carrying-Your-Heart-With-Me/</link>
                <guid isPermaLink="true">http://benheine.artician.com/portfolio/Carrying-Your-Heart-With-Me/</guid>
                <pubDate>Fri, 17 Apr 2009 03:08:39 -0400</pubDate>
                <media:title type="plain">Carrying Your Heart With Me</media:title>
                <media:description type="html"><![CDATA[<br /><div style="text-align: center;">(Click on &quot;View Original&quot; for <br />
high resolution, 300dpi...)<br />
<br />
 2009 <a href="http://www.benheine.com/">Ben Heine</a><br />
Contact me anytime at <br />
heinebenjamin@hotmail.com<br />
<br />
<br />
<br />
<br />
<b><br />
I Carry Your Heart With Me</b><br />
<br />
By e.e. cummings<br />
<br />
i carry your heart with me (i carry it in<br />
my heart) i am never without it (anywhere<br />
i go you go, my dear; and whatever is done<br />
by only me is your doing, my darling)<br />
i fear no fate (for you are my fate, my sweet) i want<br />
no world (for beautiful you are my world, my true)<br />
and it's you are whatever a moon has always meant<br />
and whatever a sun will always sing is you<br />
<br />
here is the deepest secret nobody knows<br />
(here is the root of the root and the bud of the bud<br />
and the sky of the sky of a tree called life; which grows<br />
higher than the soul can hope or mind can hide)<br />
and this is the wonder that's keeping the stars apart<br />
<br />
i carry your heart (i carry it in my heart)<br />
<br />
(The poem appeared on <a href="http://judithpordon.tripod.com" target="_blank">http://judithpordon.tripod.com</a>)</div>]]></media:description>
                <media:keywords>"noir & blanc", contrast, "black & white", faithfulness, sing, attente, patience, wait, passion, tender</media:keywords>
                <media:rating>nonadult</media:rating>
                <media:category label="Digital Art">Image/Digital Art</media:category>
                <media:credit role="author" scheme="urn:ebu">BenHeine</media:credit>
                <media:credit role="author" scheme="urn:ebu">http://uc.artician.com/members/0/9/9801/avatar.jpg</media:credit> 
                <media:copyright url="http://benheine.artician.com/">Copyright 2009 BenHeine</media:copyright>
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            </item>
            <item>
                <title>What is DeviantArt Afraid Of?</title>
                <link>http://benheine.artician.com/portfolio/What-is-DeviantArt-Afraid-Of/</link>
                <guid isPermaLink="true">http://benheine.artician.com/portfolio/What-is-DeviantArt-Afraid-Of/</guid>
                <pubDate>Fri, 17 Apr 2009 02:56:09 -0400</pubDate>
                <media:title type="plain">What is DeviantArt Afraid Of?</media:title>
                <media:description type="html"><![CDATA[<br /><br />
<div style="text-align: center;">(Click on &quot;View Original&quot; for <br />
high resolution, 300dpi...)<br />
<br />
 2009 <a href="http://www.benheine.com/">Ben Heine</a><br />
Contact me anytime at <br />
heinebenjamin@hotmail.com</div><br />
<br />
<br />
<div style="text-align: center;">My illustration &quot;<a href="http://www.flickr.com/photos/benheine/3402970232/sizes/l/">God is Love - Use Condoms</a>&quot; <br />
was censored at <a href="http://deviantart.com/">DeviantArt</a> and <br />
caused <a href="http://benheine.deviantart.com/"> my banning from this site</a>. <br />
<br />
Read the full story <b><a href="http://benjaminheine.blogspot.com/2009/04/what-is-deviantart-afraid-of.html">here</a></b>.</div><br />
<br />
<br />
]]></media:description>
                <media:keywords>ratzinger, media, ignorance, error, clumsy, mistake, culture, afrique, respect, mutual</media:keywords>
                <media:rating>nonadult</media:rating>
                <media:category label="Digital Art">Image/Digital Art</media:category>
                <media:credit role="author" scheme="urn:ebu">BenHeine</media:credit>
                <media:credit role="author" scheme="urn:ebu">http://uc.artician.com/members/0/9/9801/avatar.jpg</media:credit> 
                <media:copyright url="http://benheine.artician.com/">Copyright 2009 BenHeine</media:copyright>
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                <media:thumbnail url="http://m.artician.com/pu/FZKKDSMC5RMSMYI333DKVC7Z66DTVWVO.75.jpeg" height="75" width="75"/>
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            </item>
            <item>
                <title>Obama Vs. The Fear</title>
                <link>http://benheine.artician.com/portfolio/Obama-Vs-The-Fear/</link>
                <guid isPermaLink="true">http://benheine.artician.com/portfolio/Obama-Vs-The-Fear/</guid>
                <pubDate>Fri, 17 Apr 2009 02:29:05 -0400</pubDate>
                <media:title type="plain">Obama Vs. The Fear</media:title>
                <media:description type="html"><![CDATA[<br /><div style="text-align: center;">(Click on &quot;View Original&quot; for <br />
high resolution, 300dpi...)<br />
<br />
 2009 <a href="http://www.benheine.com/">Ben Heine</a><br />
Contact me anytime at <br />
heinebenjamin@hotmail.com<br />
<br />
<br />
<br />
<br />
<b>I'm Superman</b><br />
<br />
By Peter S. Quinn<br />
<br />
Come to my heart knock on wood<br />
Dont worry, be good I'm your super man<br />
<br />
I will let you be what you want to be<br />
Bring you through because I'm superman<br />
Let you have wings - set you free<br />
Fly with me with these wings if you can<br />
<br />
Dont pretend just come on and really fly<br />
Everything I said - I'm going to try<br />
Bringing in all the hope I gave<br />
Just you wait and see and - be with me brave<br />
<br />
There is no one other - I'm the one<br />
I am the man with the super sign on<br />
Giving you what real power is and test<br />
And you will have to imagine with me the rest<br />
<br />
Because I have the powers of kryptonite<br />
There is no way to test such might<br />
But just come with me and see what I can<br />
Together we can - yes we can! Because I'm superman<br />
<br />
All the strength that you couldn't know<br />
Is inside and now coming out so fine!<br />
Every power known - now superman shall show<br />
Just watch my symbol as it glows up like sunshine<br />
<br />
Mightier than a jet plane Ill fly and I promise you<br />
Everything will be to better put and straight<br />
Promises you thought gone I shall again renew<br />
Take away all doubt and settle each debate<br />
<br />
I will let you be what you want to be<br />
Bring you through because I'm superman<br />
Let you have wings - set you free<br />
Fly with me with these wings if you can<br />
<br />
Dont pretend just come on and really fly<br />
Everything I said - I'm going to try<br />
Bringing in all the hope I gave<br />
Just you wait and see and - be with me brave<br />
<br />
I am the guy who will always stand by your side<br />
Give you opportunities and money in your pocket<br />
Dont you worry - let the worries away ride<br />
I'll be your superman and fly like a rocket<br />
<br />
There is no one other - I'm the one<br />
I am the man with the super sign on<br />
Giving you what real power is and test<br />
And you will have to imagine with me the rest<br />
<br />
Because I have the powers of kryptonite<br />
There is no way to test such might<br />
But just come with me and see what I can<br />
Together we can - yes we can! Because I'm superman<br />
<br />
Yes we can! Yes we can! Yes we can!<br />
Because I'm superman<br />
<br />
<br />
--&gt; The peom appeared on <a href="http://www.poemhunter.com/peter-s-quinn/" target="_blank">http://www.poemhunter.com/peter-s-quinn/</a></div><br />
<br />
<br />
-----------------<br />
<br />
<br />
<b>Obama Vs. The Fear</b><br />
<br />
By Mark Morford<br />
<br />
Everyone I know is feeling a little bipolar right now. Everyone I know is going through the most unusual of psychological and socioeconomic fits, a bit unsure what to do and how to feel and exactly which emotional flush should be the one to modulate their equilibrium on a day-to-day basis.<br />
<br />
The conundrum is obvious and compelling and, as always, deeply enhanced -- if not wholly solved -- by vodka.<br />
<br />
It goes something like this: Do you allow yourself, even now, to feel any sort of ongoing, relieved, merciful joy that Barack Obama actually is sitting in the Big Chair in the White House? That this elegant, articulate, Zen-like man whose integrity is rock-solid and whose ideas, while certainly not in perfect alignment with every ultra-lefty vision on the planet (clean coal? Please), are astonishingly ambitious and brave, is leading this nation during one of the worst economic times in its short and paroxysmal history?<br />
<br />
Or do you say whatever, sorry, no time for that. Everything's plummeting and jobs are dying and (in my case, certainly) the industry you've worked for your entire career is gasping its last breath, and therefore, melancholy and dread and panic are the only truly appropriate responses, because I don't care how great the guy is, any smile that might cross my face when I see him gets immediately wiped out as soon as I ponder my 401k?<br />
<br />
It's a bizarre choice indeed. The good news is, the Obamafied bliss is still out there, still swirling, still waiting to be supped like a fine digestif. At any given moment you can, if you so choose, pause in whatever it is you're suffering from and hear that voice and see his visage or perhaps merely hear some pundit say the words &quot;President Obama&quot; out loud, and you can still enjoy that delicious chill, that little jolt that says, &quot;Oh my God, did we really do it? Is that lucid, impeccably centered man really the leader of the free world?&quot;<br />
<br />
Hey, it sure beats doing your taxes.<br />
<br />
You can even take it a tiny step further. You can, as I recently did, glance up at the screen during Obama's congressional address and see not only a young, composed, African American president speaking to the populace in more thoughtful, articulate language than we've heard in a decade, but also note that he happens to be surrounded by a female Speaker of the House and a female Secretary of State and a smart, funny VP who, refreshingly, is not a sneering warmongering torture fanatic who enjoys sucking the blood from live baby sharks.<br />
<br />
I mean, good Lord, what sort of astonishing snapshot is this? Two strong, powerful women and a deeply graceful black president? What country is this again?<br />
<br />
(If, for some reason, you're also feeling a bit masochistic, you can take these moments to imagine how it might be if John McCain were the president right now, and Sarah Palin was right there next to him, grinning and winking like a truck-stop Barbie, and just how violently unstable and sour and doomed you would feel. Fun!)<br />
<br />
So then, the wistful Obama swoon? Still right there. Still accessible. Still agreeably valid. This is the good news.<br />
<br />
But oh, the dark side loometh. By Obama's own insistence that he be held accountable for it all, no one knows for sure if all of these spectacular, historic moves -- the bailouts, the massive recovery program, the jobs, housing, overhauls in health care and education and etcetera -- if any of it, will actually work.<br />
<br />
It is, by every estimation, the biggest political and fiscal gamble in a generation, maybe five. It is dicey and dangerous and wildly progressive in scope and ambition, and you know this is true because many bitter, unloved Republicans are seething and whining and tearing into every Obama idea they can find, simply because said plans don't do enough to fellate the wealthy and worship oil companies and ignore children.<br />
<br />
Maybe longtime pundit David Gergen said it best when he noted that Obama's agenda is more than merely a stack of dramatic, expensive proposals. It's actually more akin to FDR's New Deal rolled into Lyndon Johnson's Great Society; the grand sum of what Obama is attempting to do just so happens to be &quot;the greatest political drama in our lifetime.&quot;<br />
<br />
This, then, is our grand takeaway. If Obama can pull it off, if he can follow through with even half of these massive, historic overhauls, it will result in one of the most profound transformations and redefinitions of American ideals in history. And I gotta say, it's damn nice to write that sentence and not be referring to warmongering and torture and God-sanctioned homophobia. What a thing.<br />
<br />
But of course, the transformation is also a source of profound anxiety. Is it all too much? Is Obama too ambitious? Is he overreaching? Could it all backfire and implode and could the United States collapse entirely as we're taken over by China and forced to work in cellblock sweatshops as giant shape-shifting robots rule the land? Mmm, apocalypse. It's what's for dinner.<br />
<br />
Or maybe not. So far, all polls indicate that President Obama's potent speech hit all the right notes and set the stage for the Grand Transformation. He has widespread support even among moderate conservatives, many of whom now appear to trust a Democratic president even more than they trust their beloved banks and megacorporations. Which is a bit like devout Catholics saying hey, you know what? The pope really is an insidious relic. That Buddha guy? He might be on to something.<br />
<br />
This seems to be the bottom line, at least for now. We have, for the first time in just about forever, an enormously ambitious, confident, risk-taking president so full of grand and even borderline radical ideas they barely fit into a single generation, much less a single speech, and we have him at a time when we need, well, someone exactly like that.<br />
<br />
That he just so happens to be tremendously intelligent, progressive, serene as an oak tree and utterly magnetizing? I guess you just call that a bonus.<br />
<br />
<br />
--&gt; This article appeared on <a href="http://www.sfgate.com/" target="_blank">http://www.sfgate.com/</a>]]></media:description>
                <media:keywords>earth, "peter s. quinn", magie, magic, magician, "political art", "ben heine", obamania, "barack hussein obama"</media:keywords>
                <media:rating>nonadult</media:rating>
                <media:category label="Digital Art">Image/Digital Art</media:category>
                <media:credit role="author" scheme="urn:ebu">BenHeine</media:credit>
                <media:credit role="author" scheme="urn:ebu">http://uc.artician.com/members/0/9/9801/avatar.jpg</media:credit> 
                <media:copyright url="http://benheine.artician.com/">Copyright 2009 BenHeine</media:copyright>
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            </item>
            <item>
                <title>Uncle Che</title>
                <link>http://benheine.artician.com/portfolio/Uncle-Che/</link>
                <guid isPermaLink="true">http://benheine.artician.com/portfolio/Uncle-Che/</guid>
                <pubDate>Fri, 17 Apr 2009 02:08:17 -0400</pubDate>
                <media:title type="plain">Uncle Che</media:title>
                <media:description type="html"><![CDATA[<br /><div style="text-align: center;">(Click on &quot;View Original&quot; for <br />
high resolution, 300dpi...)<br />
<br />
 2009 <a href="http://www.benheine.com/">Ben Heine</a><br />
Contact me anytime at <br />
heinebenjamin@hotmail.com<br />
<br />
<br />
Hasta La Victoria Siempre!</div>]]></media:description>
                <media:keywords>che's message", el che", love, peace, "hasta la victoria siempre", "el commandante", injustice, resistance, struggle, fight</media:keywords>
                <media:rating>nonadult</media:rating>
                <media:category label="Digital Art">Image/Digital Art</media:category>
                <media:credit role="author" scheme="urn:ebu">BenHeine</media:credit>
                <media:credit role="author" scheme="urn:ebu">http://uc.artician.com/members/0/9/9801/avatar.jpg</media:credit> 
                <media:copyright url="http://benheine.artician.com/">Copyright 2009 BenHeine</media:copyright>
                <media:thumbnail url="http://m.artician.com/pu/5ZVFL5CDNS72WZYM55LAAIOUKJIBKGCB.150.jpeg" height="150" width="150"/>
                <media:thumbnail url="http://m.artician.com/pu/5ZVFL5CDNS72WZYM55LAAIOUKJIBKGCB.75.jpeg" height="75" width="75"/>
                <media:content url="http://m.artician.com/pu/5ZVFL5CDNS72WZYM55LAAIOUKJIBKGCB.original.jpg" height="3448" width="2581" medium="image"/>
                <media:content url="http://m.artician.com/pu/5ZVFL5CDNS72WZYM55LAAIOUKJIBKGCB.preview.jpeg" width="500" medium="image"/>
                <media:content url="http://m.artician.com/pu/5ZVFL5CDNS72WZYM55LAAIOUKJIBKGCB.largeview.jpeg" width="1400" medium="image"/>
            </item>
            <item>
                <title>Bad Boy - Barack Obama</title>
                <link>http://benheine.artician.com/portfolio/Bad-Boy-Barack-Obama/</link>
                <guid isPermaLink="true">http://benheine.artician.com/portfolio/Bad-Boy-Barack-Obama/</guid>
                <pubDate>Fri, 17 Apr 2009 01:57:32 -0400</pubDate>
                <media:title type="plain">Bad Boy - Barack Obama</media:title>
                <media:description type="html"><![CDATA[<br /><div style="text-align: center;">(Click on &quot;View Original&quot; for <br />
high resolution, 300dpi...)<br />
<br />
 2009 <a href="http://www.benheine.com/">Ben Heine</a><br />
Contact me anytime at <br />
heinebenjamin@hotmail.com<br />
<br />
<br />
<br />
<br />
Bad Boy  Because<br />
<br />
By Peter S. Quinn<br />
<br />
There are moments lost in my natural sky<br />
Feeling times that are done to nothing<br />
Every time travel there asking reasons why<br />
Sometimes giving no answers - just bluffing<br />
Taking my heart to pieces in each try<br />
<br />
When I reach down to deepest of my low<br />
Finding no answers to keep me still high<br />
When my life is a shadow of darkish glow<br />
Answering nothing of its reasons and why<br />
Only time spaces between goings to fly<br />
<br />
Im not a substitute for agent 007<br />
Only awake up call to be taken seriously<br />
I'll give you a touch of my heaven<br />
If you are behaving mysteriously<br />
Because Im a man in black<br />
Pointing my future at you<br />
Keeping you on the right track<br />
Anything to get you here through<br />
<br />
Nothing to get exited either way<br />
Only point-blank clear for its go<br />
Feeling pressures of a coming play<br />
To the hours that I dont know<br />
Drifting by and by in their flowing<br />
In the answers that never come<br />
Always something either way going<br />
To somewhere it all is from<br />
Nothing taking a turn to more<br />
Just a seat in the corner of dark night<br />
Coming to nowhere in what its all for<br />
Because it has lost all its flight<br />
<br />
Nothing more to be done or said<br />
For my decisions are staying right here<br />
Dont worry- be happy  stay ahead<br />
Just agree and everythings clear<br />
<br />
Nothing to get exited either way<br />
Only point-blank clear for its go<br />
Feeling pressures of a coming play<br />
To the hours that I dont know<br />
Drifting by and by in their flowing<br />
In the answers that never come<br />
Always something either way going<br />
To somewhere it all is from<br />
Nothing taking a turn to more<br />
Just a seat in the corner of dark night<br />
Coming to nowhere in what its all for<br />
Because it has lost all its flight<br />
<br />
Im not a replacement for agent 007<br />
Only awake up call to be taken seriously<br />
I'll give you a touch of my heaven<br />
If you are behaving mysteriously<br />
Because Im a man in black<br />
Pointing my future at you<br />
Keeping you on the right track<br />
Anything to get you here through<br />
<br />
Nothing more to be done or said<br />
For my decisions are staying right here<br />
Dont worry- be happy  stay ahead<br />
Just agree and everythings clear<br />
<br />
Whenever you try - it's getting lost<br />
Like a flight into nothing from nowhere<br />
Feeling downsides and double-crossed<br />
Reaching to nowhere from here to there<br />
<br />
Im not a substitute for agent 007<br />
Only awake up call to be taken seriously<br />
I'll give you a touch of my heaven<br />
If you are behaving mysteriously<br />
Because Im a man in black<br />
Pointing my future at you<br />
Keeping you on the right track<br />
Anything to get you here through<br />
<br />
Because Im a man in black<br />
Pointing my future at you<br />
Keeping you on the right track<br />
Anything to get you through<br />
<br />
Because Im the man in black<br />
Pointing my future to go<br />
Because Im the man in black<br />
In point-blank clear to blow<br />
<br />
(Poem's source: <a href="http://www.poemhunter.com/peter-s-quinn" target="_blank">http://www.poemhunter.com/peter-s-quinn</a>)</div>]]></media:description>
                <media:keywords>earth, "peter s. quinn", magie, magic, magician, "political art", "ben heine", obamania, "barack hussein obama"</media:keywords>
                <media:rating>nonadult</media:rating>
                <media:category label="Digital Art">Image/Digital Art</media:category>
                <media:credit role="author" scheme="urn:ebu">BenHeine</media:credit>
                <media:credit role="author" scheme="urn:ebu">http://uc.artician.com/members/0/9/9801/avatar.jpg</media:credit> 
                <media:copyright url="http://benheine.artician.com/">Copyright 2009 BenHeine</media:copyright>
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                <media:thumbnail url="http://m.artician.com/pu/4T4UXQTXQGBGUPW5YX2NMHIBFCKHIYHJ.75.jpeg" height="75" width="75"/>
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            </item>
            <item>
                <title>No More War</title>
                <link>http://benheine.artician.com/portfolio/No-More-War/</link>
                <guid isPermaLink="true">http://benheine.artician.com/portfolio/No-More-War/</guid>
                <pubDate>Fri, 17 Apr 2009 01:32:49 -0400</pubDate>
                <media:title type="plain">No More War</media:title>
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<div style="text-align: center;">(Click on &quot;View Original&quot; for <br />
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 2009 <a href="http://www.benheine.com/">Ben Heine</a><br />
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heinebenjamin@hotmail.com</div><br />
<br />
<br />
<br />
<br />
<b>They Gave Us A War That Nobody Wanted</b><br />
<br />
By Patrick O'Donnell<br />
<br />
I<br />
<br />
They gave us a war that nobody wanted<br />
The warnings unheard or simply discounted<br />
The men of the Pentagon surely undaunted<br />
Gave us a war that nobody wanted<br />
<br />
II<br />
<br />
The weapons of war are tested and counted<br />
Military hardware displayed and dismounted<br />
Allies ignored and the enemy taunted<br />
They gave us a war that nobody wanted<br />
<br />
III<br />
<br />
Divisions of men and weaponry flaunted<br />
Ships tanks and planes in quantity granted<br />
By death and destruction civilians are haunted<br />
They gave us a war that nobody wanted<br />
<br />
IV<br />
<br />
Prime ministers presidents and generals have ranted<br />
Television pictures and news are being slanted<br />
Voices are raised and slogans are chanted<br />
They gave us a war that nobody wanted<br />
<br />
V<br />
<br />
High powered weapons and missiles are vaunted<br />
The guns have been fired and the bombs have been planted<br />
All shall be well when the foe is surmounted<br />
They gave us a war that nobody wanted<br />
<br />
VI<br />
<br />
When the conflict is over and the story recounted<br />
We'll forget the destruction and horror implanted<br />
But remember the soldiers and statesman enchanted<br />
By this terrible war that nobody wanted<br />
<br />
(Poem's source : <a href="http://www.poemsabout.com" target="_blank">http://www.poemsabout.com</a>)]]></media:description>
                <media:keywords>"no man's land", street, béton, kind, childhood, enfance, strugle, fight, poem, violence</media:keywords>
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            <item>
                <title>ICT Overdose</title>
                <link>http://benheine.artician.com/portfolio/ICT-Overdose/</link>
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                <pubDate>Fri, 17 Apr 2009 01:17:47 -0400</pubDate>
                <media:title type="plain">ICT Overdose</media:title>
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 2009 <a href="http://www.benheine.com/">Ben Heine</a><br />
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<br />
<br />
<br />
<br />
<b>Note</b>: ICT = Information and Communications Technologies<br />
<br />
<b>I'm a Martyr of the Keyboard</b><br />
<br />
By Peter S Quinn (*)<br />
<br />
I type all day long<br />
Into the request deep<br />
Sometimes itll ping-pong<br />
Right into my sleep<br />
I'm a martyr of the keyboard<br />
Going down deep under<br />
To the alphabet lord<br />
God of the ticktick thunder!<br />
<br />
I'll type for a request<br />
Just to please and be ready<br />
I'll try to do my best<br />
If my fingers go on steady<br />
This and that comes out<br />
I have no complete control<br />
Automation knows its ways about<br />
Around the key-mole<br />
And keyhole<br />
<br />
I type all day to spark<br />
And give it a steady beat<br />
But sometimes itll all lack<br />
Except its little tweet<br />
This maybe a dark poetry read<br />
With not much in deeper meaning<br />
But to somewhere it will lead<br />
In a steady and closer<br />
Screening<br />
<br />
-------------------<br />
<br />
(*) Peter has been very prolific, - with more than 15 thousand music works /instrumental songs, and over 10 thousand poems and lyrics. You can find nearly 7 thousand music works and more than 5 thousand poems and lyrics by him on the internet. More: <a href="http://www.poemhunter.com/peter-s-quinn/" target="_blank">http://www.poemhunter.com/peter-s-quinn/</a>]]></media:description>
                <media:keywords>nonsense, death, dead, trouble, problem, bug, virus, pirate, hacking, madness</media:keywords>
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            <item>
                <title>Abstract Big Bang</title>
                <link>http://benheine.artician.com/portfolio/Abstract-Big-Bang/</link>
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                <pubDate>Fri, 17 Apr 2009 01:09:29 -0400</pubDate>
                <media:title type="plain">Abstract Big Bang</media:title>
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 2009 <a href="http://www.benheine.com/">Ben Heine</a><br />
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<br />
<b>Big Bang Generation (Lyrics)</b><br />
<br />
By Duran Duran<br />
<br />
Falling into space at the end of time black as the black in your eyes<br />
Staring through a hole in the ozone there's nobody home<br />
to play back your answers from Climax out of blue<br />
with just another high no there must be something new<br />
Now that I'm so alien<br />
<br />
Entering the atmosphere don't know what is waiting here oh no<br />
If there's nothing left to fear when we come to gather<br />
in the big bang generation<br />
<br />
Teardrop in the sky bursting my eye sound of the morning sigh<br />
This life is stranger than fiction surreal addiction it's all I recognize<br />
Feeding of the habit losing control where is it leading to<br />
now that I'm the alien<br />
<br />
Entering the atmosphere don't know what is waiting here oh no<br />
If there's nothing left to fear when we come to gather<br />
in the big bang generation<br />
(Feel like I'm losing control) Big bang generation<br />
(Now that I'm here all alone) Big bang generation<br />
(Feel like I'm losing control) Big bang generation<br />
(Feel like I'm losing it) We're gonna come to gather here<br />
<br />
Where you coming from when we gonna burn out don't know<br />
Having so much fun greetings from the big bang generation<br />
Big bang generation meet you in the big bang generation<br />
Together in the big bang generation together<br />
with the big bang generation<br />
<br />
----------------<br />
<br />
Duran Duran's official website: <a href="http://www.duranduran.com/" target="_blank">http://www.duranduran.com/</a>]]></media:description>
                <media:keywords>watercolour, painting, "duran duran", "big bang", universe, out, in, cleanse, milosc, root</media:keywords>
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                <media:credit role="author" scheme="urn:ebu">BenHeine</media:credit>
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            </item>
            <item>
                <title>Barack Obama - Change</title>
                <link>http://benheine.artician.com/portfolio/Barack-Obama-Change/</link>
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                <pubDate>Fri, 17 Apr 2009 01:02:56 -0400</pubDate>
                <media:title type="plain">Barack Obama - Change</media:title>
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 2009 <a href="http://www.benheine.com/">Ben Heine</a><br />
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<br />
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<br />
<b>Poll: Obama More Popular Than Jesus, Gandhi and Martin Luther King Jr.</b><br />
<br />
John Lennon once claimed the Beatles were more popular than Jesus. Now President Obama has evidence that he's more popular than both.<br />
<br />
Obama topped a new Harris interactive poll that asked 2,634 Americans who they admire enough to call a hero.<br />
<br />
Jesus came in second on a list that includes God, Mahtma Gandhi and George Washington.<br />
<br />
Other historic or notable figures making the top 10 were Martin Luther King Jr., Ronald Reagan, George W. Bush, Abraham Lincoln, John McCain, John F. Kennedy, U.S. Airways pilot Chesley Sullenberger and Mother Teresa.<br />
<br />
Participants named the heroes randomly instead of being shown or read a list of people to choose from. The poll was conducted online between January 12 and 19, 2009.<br />
<br />
At the 16th spot in the poll, George Washington, Bill Clinton and Colin Powell tied.<br />
<br />
Other politicians who made the poll's top 25 include Hillary Clinton (12), FDR (13), Condoleezza Rice (12) and Sarah Palin (21).<br />
<br />
God ranked 11th, between Mother Teresa and Hillary Clinton.<br />
<br />
Of the multiple reasons participants gave to explain their choices of heroes, the ones most cited is, &quot;Doing what's right regardless of personal consequences&quot; with 89 percent, &quot;Not giving up until the goal is accomplished&quot; with 83 percent and &quot;Doing more than what other people expect of them,&quot; with 82 percent. Also popular were &quot;Overcoming adversity&quot; and &quot;Staying level-headed in a crisis.&quot;<br />
<br />
In the first Harris Poll asking this question in 2001, Jesus came in first, followed by the Rev. King, Powell, John F. Kennedy and Mother Teresea.<br />
<br />
Obama joked last year at a roast that contrary to rumors, he was not born in a manger but on the planet Krypton. Apparently, Obama is even more popular than Superman, who didn't make the cut.<br />
<br />
--------------<br />
<br />
--&gt; The above article appeard on <a href="http://www.foxnews.com" target="_blank">http://www.foxnews.com</a>]]></media:description>
                <media:keywords>earth, "peter s. quinn", magie, magic, magician, "political art", "ben heine", obamania, "barack hussein obama"</media:keywords>
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                <title>Yves Saint Laurent</title>
                <link>http://benheine.artician.com/portfolio/Yves-Saint-Laurent/</link>
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                <pubDate>Fri, 17 Apr 2009 00:56:37 -0400</pubDate>
                <media:title type="plain">Yves Saint Laurent</media:title>
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 2009 <a href="http://www.benheine.com/">Ben Heine</a><br />
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<br />
<b>Yves Saint Laurent: The man who changed the way women dress forever</b><br />
<br />
By Lisa Adams<br />
<br />
He was the king of cutting-edge couture who, by rewriting the rules of fashion, changed forever the way women dress.<br />
<br />
Talented, controversial but always cool, Yves Saint Laurent was the last great designer from a generation which made Paris the fashion capital of the world.<br />
<br />
With 20th century gurus Christian Dior and Coco Chanel gone, fashionistas could still believe in the power of style through YSL.<br />
<br />
His death on Sunday aged 71, following a year-long fight against brain cancer, marks the end of an era.<br />
<br />
However, his legacy lives on - as the French president revealed in a glowing tribute yesterday.<br />
<br />
Nicolas Sarkozy said: &quot;One of the greatest names in fashion has disappeared.<br />
<br />
&quot;Yves Saint Laurent was the first to elevate haute couture to the rank of art, and that gave him global influence.<br />
<br />
&quot;He infused his label with his creative genius, elegant and refined personality - discrete and distinguished during a half-century of work in both luxury and ready-to-wear - because he was convinced beauty was a necessary luxury for all men and all women.&quot;<br />
<br />
Pierre Berge described his former lover and business partner - the first designer to put women in trousers - as a &quot;true creator&quot; who had empowered women.<br />
<br />
He said: &quot;Chanel gave women freedom but Saint Laurent gave them power.<br />
<br />
&quot;He was a libertarian, anarchic, and he threw bombs at the legs of society.&quot;<br />
<br />
It's a spark which brought us the ultra elegant tuxedo smoking jacket.<br />
<br />
When that hit the catwalks in 1966, it transformed the way ordinary women dressed for the evening.<br />
<br />
Worn together with sharply tailored trousers, it offered a modern alternative to the formal evening dress, rapidly becoming a wardrobe staple for women.<br />
<br />
The tuxedo has been updated for every collection since then, with supermodel Kate Moss looking effortlessly cool in this season's Le Smoking jacket.<br />
<br />
Saint Laurent's label was worth &amp;#163;45million when he sold it to Gucci in 1999 and the most beautiful women on the planet have long clamoured to wear his clothes.<br />
<br />
He created Bianca Jagger's iconic white wedding suit as well as dressing stars including Catherine Deneuve, Paloma Picasso and Lauren Bacall.<br />
<br />
Supermodel Naomi Campbell said she was blessed to be working for YSL while her colleagues Claudia Schiffer and Carla Bruni hailed him as the most influential designer of his time on his retirement in 2002.<br />
<br />
He could only have dreamed about such recognition growing up as a shy boy with a passion for drawing, in Oran, Algeria.<br />
<br />
Born the son of a shipping executive on August 1, 1936, the fiercely ambitious Saint Laurent shied away from his<br />
conventional home life to dream of cocktail dresses.<br />
<br />
Taunted for being gay, he took refuge in his fascination for clothes.<br />
<br />
After escaping to the bright lights of Paris aged 17, Saint Laurent finally discovered people who truly believed in his talents.<br />
<br />
He won his place at the prestigious Chambre Syndicale school of haute couture after monopolising a contest sponsored by the International Wool Secretariat.<br />
<br />
He had scooped three out of four of the categories - the fourth went to Karl Lagerfeld, now at Chanel.<br />
<br />
Months later, in 1954, he was introduced to a man who would change his life, Christian Dior.<br />
<br />
Dior was so impressed he hired him on the spot. Aged 21, when most designers are starting out, Saint Laurent was named head of the fashion house after Dior died suddenly.<br />
<br />
But four years later, just as his career was really taking off, he was conscripted in to the French army during the Algerian War of Independence.<br />
<br />
Already physically frail, his time in service was a horror which haunted the rest of his life.<br />
<br />
He suffered a nervous breakdown and endured months of electroshock therapy in a psychiatric unit.<br />
<br />
It cost him his chance at Dior but, as he slowly recovered, Saint Laurent bravely started his own label, YSL.<br />
<br />
His Rive Gauche boutiques for women were established in 1966, and Le Smoking jacket secured his stardom.<br />
<br />
His creation of sleek trouser suits for women perfectly captured the &quot;equality of the sexes&quot; spirit of the era.<br />
<br />
His Beatnik chic - a black leather jacket, turtleneck and high boots - was also bang on trend.<br />
<br />
Always striking, Saint Laurent saw it as vital to create clothes which women felt comfortable wearing.<br />
<br />
His safari-style trouser suits in khaki cotton were instant hits in his Rive Gauche ready-to-wear boutiques in London and Paris.<br />
<br />
The navy blue pea coat over white pants - debuted in 1962 - was also one of his hallmarks.<br />
<br />
He said: &quot;I have often said that I wish I had invented blue jeans: the most spectacular, the most practical, the most relaxed and nonchalant.<br />
<br />
&quot;They have expression, modesty, sex appeal, simplicity - all I hope for in my clothes.&quot;<br />
<br />
Saint Laurent's strength lay in never being afraid to be different.<br />
<br />
He was ahead of his time, the first designer to challenge the blue-eyed, blonde-haired idea of perfection by hiring black models for his shows.<br />
<br />
The trouser suits he so fervently believed in quickly triggered controversy away from the catwalk.<br />
<br />
Women wearing them were turned away from hotels and restaurants in London and New York.<br />
<br />
His see-through blouses, which showed off women's breasts, were next to cause outrage.<br />
<br />
But his vision for fashion stretched beyond the cut of the clothes.<br />
<br />
He said: &quot;Fashion is not only supposed to make women beautiful, but to reassure them, to give them confidence, to allow them to come to terms with themselves&quot;.<br />
<br />
Saint Laurent was never afraid to shock the public.<br />
<br />
He posed nude in the advertising campaign for Pour Homme, the first YSL men's fragrance.<br />
<br />
Then his launch in the mid-Seventies of a perfume called Opium brought accusations that he was condoning drug use.<br />
<br />
Drugs - as well as depression and intense loneliness - were a problem for him away from the bright lights and air kisses of the fashion world.<br />
<br />
Saint Laurent said: &quot;I've known fear and terrible solitude, tranquillisers and drugs - those phoney friends - the prison of depression and hospitals.<br />
<br />
&quot;I've emerged from all this, dazzled but sober.&quot;<br />
<br />
Despite that loneliness, he created a timeless template for women's fashion.<br />
<br />
One of today's hottest designers, Marc Jacobs, admits looking to YSL's Seventies glory years for inspiration.<br />
<br />
And Dame of British fashion, Vivienne Westwood, yesterday described YSL as &quot;one of the great couturiers, one of the few who have achieved perfection with everything they touched.&quot;<br />
<br />
In today's brave new world of fast fashion, froth and window dressing, few achieve that.<br />
<br />
He will be missed.<br />
<br />
(--&gt; This tribute appeared on <a href="http://www.dailyrecord.co.uk" target="_blank">http://www.dailyrecord.co.uk</a>)<br />
<br />
-------------<br />
<br />
Obituary: Yves Saint Laurent(BBC)<br />
<br />
Yves Saint Laurent changed the face of the fashion industry when he became chief designer of the House of Dior at the age of 21.<br />
<br />
His creations adorned some of the world's most famous women; he counted Catherine Deneuve, Paloma Picasso and Princess Grace of Monaco among his most ardent admirers.<br />
<br />
But so much too of what ordinary women wear today has been influenced by Saint Laurent.<br />
<br />
He designed clothes that reflected women's changing role in society; more confident personally, sexually and in the work-place.<br />
<br />
Yves Saint Laurent was born in Algeria, on 1st August 1936. Although his parents were wealthy (his father owned a chain of cinemas), French Algerians were often looked down upon by people in mainland France.<br />
<br />
The young Yves had an unhappy childhood. Because of his homosexuality, he said, he was bullied and generally ill-treated at school.<br />
<br />
His mother brought him to Paris and he joined the House of Dior in 1954, and such was his impact that he became chief designer when Christian Dior died three years later.<br />
<br />
There followed a period of unremitting success. He was credited with introducing short skirts and leather jackets to the world of haute couture in 1960.<br />
<br />
But later that same year his world and career collapsed. He was conscripted into the French Army at the height of the Algerian war, and suffered a nervous breakdown.<br />
<br />
After three months in hospital he was discharged from the Army as medically unfit. But his return to the House of Dior was short-lived - he left almost immediately amid rumours that he had been dismissed.<br />
<br />
He denied this, and claimed that he had resigned because the fashion house wanted him to work in London.<br />
<br />
A lean period followed, but he made a comeback designing costumes for Zizi Jeanmaire, the French cabaret artiste. His love of the theatre led to many more triumphs as a set and costume designer.<br />
<br />
Razia Iqbal looks back at the life of Yves Saint Laurent<br />
In 1962, with his business and personal partner, Pierre Berge, he founded what was to become the multi-million-pound Saint Laurent fashion and perfume empire.<br />
<br />
His flair re-established him as one of the world's top designers, dictating couture and ready-to-wear fashions. He brought in the safari jacket, the cape, peasant flounces and military blousons.<br />
<br />
Trouser suits were almost unheard of before Yves Saint Laurent. Biker jackets, blazers and turtleneck sweaters came courtesy of him. He made women's clothes both more sexy and elegant.<br />
<br />
But his personal life was less successful. The depression that ended his military career persisted - his partner, Pierre Berge, once said Saint Laurent had been born with a nervous breakdown. His ego was famously fragile.<br />
<br />
In the 1970s and '80s, he retreated into excess, becoming addicted to drink and drugs. He also indulged in what he himself called &quot;an extraordinary sex life&quot;.<br />
<br />
He and Berge split romantically but remained business partners. Reclusive, Saint Laurent rarely left his Paris flat, where he lived surrounded by a massive art collection.<br />
<br />
In 1999, he and Berge, having failed to find a suitable successor of their choice, sold their ready-to-wear company Yves Saint Laurent Rive Gauche to Gucci for $1bn after it had run into financial difficulties.<br />
<br />
(--&gt; This obituary appeared on <a href="http://news.bbc.co.uk" target="_blank">http://news.bbc.co.uk</a>)]]></media:description>
                <media:keywords>love, peace, "ben heine", clothes, shirt, jacket, anarchic, libertarian, creation, cancer</media:keywords>
                <media:rating>nonadult</media:rating>
                <media:category label="Digital Art">Image/Digital Art</media:category>
                <media:credit role="author" scheme="urn:ebu">BenHeine</media:credit>
                <media:credit role="author" scheme="urn:ebu">http://uc.artician.com/members/0/9/9801/avatar.jpg</media:credit> 
                <media:copyright url="http://benheine.artician.com/">Copyright 2009 BenHeine</media:copyright>
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            </item>
            <item>
                <title>The Magic of Obama</title>
                <link>http://benheine.artician.com/portfolio/The-Magic-of-Obama/</link>
                <guid isPermaLink="true">http://benheine.artician.com/portfolio/The-Magic-of-Obama/</guid>
                <pubDate>Fri, 17 Apr 2009 00:42:33 -0400</pubDate>
                <media:title type="plain">The Magic of Obama</media:title>
                <media:description type="html"><![CDATA[<br /><div style="text-align: center;">(Click on &quot;View Original&quot; for <br />
high resolution, 300dpi...)<br />
<br />
 2009 <a href="http://www.benheine.com/">Ben Heine</a><br />
Contact me anytime at <br />
heinebenjamin@hotmail.com</div><br />
<br />
<br />
<br />
<br />
<b>He Is a Real Magical Man</b><br />
<br />
By Peter S. Quinn<br />
<br />
He is a real magical man<br />
Walking down the magical span<br />
Making so much magical for everyones treat<br />
<br />
Not everything needs to be true<br />
Though its going to be like it seems too<br />
In its way on every walking street<br />
<br />
Magical man, please have a try<br />
There is deep and there's blue sky<br />
Magical man, make your own magical plan<br />
<br />
Hes exited for what he is<br />
Reaching the earth in watery bliss<br />
Magical man, never reaching your own feet<br />
<br />
Magical man keeps on flying<br />
Go all the way in your trying<br />
Bringing it all up into reality<br />
In magics for all to see<br />
<br />
Not everything needs to be true<br />
Though its going to be like it seems too<br />
In its way on every walking street<br />
<br />
Magical man please has a try<br />
There is deep and there's blue sky<br />
Magical man, make your own magical plan<br />
<br />
He is a real magical man<br />
Walking down a magical span<br />
Making so much magical for everyones treat<br />
<br />
(Poem's source: <a href="http://www.poemhunter.com/peter-s-quinn" target="_blank">http://www.poemhunter.com/peter-s-quinn</a>)]]></media:description>
                <media:keywords>terre, cosmos, espace, space, ocean, sea, trick, rapide, fast, movement</media:keywords>
                <media:rating>nonadult</media:rating>
                <media:category label="Digital Art">Image/Digital Art</media:category>
                <media:credit role="author" scheme="urn:ebu">BenHeine</media:credit>
                <media:credit role="author" scheme="urn:ebu">http://uc.artician.com/members/0/9/9801/avatar.jpg</media:credit> 
                <media:copyright url="http://benheine.artician.com/">Copyright 2009 BenHeine</media:copyright>
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            </item>
            <item>
                <title>Marilyn Manson - 2 -</title>
                <link>http://benheine.artician.com/portfolio/Marilyn-Manson-2-/</link>
                <guid isPermaLink="true">http://benheine.artician.com/portfolio/Marilyn-Manson-2-/</guid>
                <pubDate>Thu, 16 Apr 2009 23:55:00 -0400</pubDate>
                <media:title type="plain">Marilyn Manson - 2 -</media:title>
                <media:description type="html"><![CDATA[<br /><div style="text-align: center;">(Click on &quot;View original&quot; for <br />
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<br />
 2009 <a href="http://www.benheine.com/">Ben Heine</a><br />
Contact me anytime at <br />
heinebenjamin@hotmail.com</div><br />
<br />
<br />
<b>Biography</b><br />
<br />
Brian Hugh Warner (born January 5, 1969), better known by his stage name Marilyn Manson, is a professional musician. He is the lead singer of the industrial metal band that bears the same name. His stage name is formed from the names Marilyn Monroe and Charles Manson.<br />
<br />
Brian Hugh Warner was born on January 5th 1969 in Canton, Ohio. He attended Heritage Christian School. After transferring to and later graduating from Canton's GlenOak High School, Warner moved to Fort Lauderdale, Florida with his family. While living in Fort Lauderdale, he studied journalism and theater at Broward Community College, and became the assistant entertainment editor of BCC's student newspaper, the Observer.<br />
<br />
<b>In music</b><br />
<br />
Jessicka of the band Jack Off Jill was an early friend of Manson's, her band opened most of his South Florida shows. He not only produced most of the band's early recordings but also played guitar on the song &quot;My Cat&quot; and helped name the band. Manson later wrote the liner notes for the band's album Humid Teenage Mediocrity, a collection of early Jack Off Jill recordings.<br />
<br />
In early 1993, after being instructed by his new label, Interscope Records, not to play any local shows, Manson formed Mrs. Scabtree. Mrs. Scabtree was a side project between he and newly hired Jeordie White. Manson played drums, while White (dressed as a black woman) shared vocal duties with then girlfriend Jessicka from Jack Off Jill who wore a blonde wig. Mrs. Scabtree only played two shows in South Florida.<br />
<br />
Manson has helped or provided full scores for several major motion pictures, although several of his pieces have been cut, and his name dropped from the credits. Some of his more notable soundtrack score contributions include The Matrix, From Hell and Resident Evil.<br />
<br />
Manson appeared as a guest on rapper DMX's album Flesh of My Flesh, Blood of My Blood for the track &quot;The Omen&quot;, produced by Swizz Beats, and has performed (with the rest of the band) on stage with Eminem as background music in the song &quot;The Way I Am&quot;.<br />
<br />
Manson sang vocals on &quot;Break You Down&quot; off of the Washington, DC-based industrial rock band gODHEAD's 2000 Years of Human Error album. This album is distinguished for being the only one released on Manson's vanity label Posthuman Records.<br />
<br />
<b>In film and television</b><br />
<br />
Manson made a cameo appearance as a doctor in the Murderdolls' music video &quot;Dead in Hollywood&quot;, and also appears in the Nine Inch Nails music video &quot;Starfuckers, Inc.&quot;, as well as &quot;Gave Up&quot;, and Eminem's &quot;The Way I Am&quot; music video.<br />
<br />
His first appearance in a film was in the role of a pornographic actor in David Lynch's Lost Highway, in 1997. He also had a minor role in former love interest Rose McGowan's 1998 film Jawbreaker and a supporting role in 2003's Party Monster, which is based on the events leading up to and the murder of Angel Melendez by the infamous Michael Alig of club kid fame, where Manson portrayed a psychotic drag queen named Christina . Manson made a cameo appearance in The Hire: Beat the Devil, a short film in the BMW films series (starring Clive Owen as the Driver), which featured James Brown as himself, and Gary Oldman as Satan. His most talked-about film cameo was in the Michael Moore political documentary Bowling for Columbine discussing the motivations of the perpetrators and allegations that his music was somehow a factor. He played himself, in animated form, on an episode of the television series Clone High, in which he sang a song about nutrition and the food pyramid. He is featured prominently throughout Not Another Teen Movie, and covered the song &quot;Tainted Love&quot; for its soundtrack.<br />
<br />
His music is frequently featured on the show C.S.I.. The character on the show, Greg Sanders, is a big fan of Manson and the actor who plays him, Eric Szmanda, is a personal friend of Manson's.<br />
<br />
Manson was featured in the 2004 film The Heart Is Deceitful Above All Things, and was set to appear in Abelcain, directed by Alejandro Jodorowsky, and Living Neon Dreams in 2005, although both of these projects are still unreleased as of 2007. He will also be seen as a bartender in an upcoming vampire movie starring Lucy Liu called Rise and possibly has pending roles in Abelcain, RISE and other projects.<br />
<br />
Manson has produced 23 music videos, most of which have gone beyond the scope of a normal performance video and been well received by critics for their imagery and direction. Mansons three most recent released videos  Personal Jesus, (s)AINT and Heart-Shaped Glasses  were voluntarily funded with his own money (to a sum of $1,500,000) and largely not that of the record company. Manson stated in June 2006 that he saw himself &quot;as more a student of film than of music&quot;.<br />
<br />
In July 2005, Manson told Rolling Stone that he was shifting his focus from music to filmmaking - &quot;I just don't think the world is worth putting music into right now. I no longer want to make art that other people--particularly record companies--are turning into a product. I just want to make art.&quot;<br />
<br />
By 2006 Manson was working on his directorial debut, Phantasmagoria: The Visions of Lewis Carroll, but has since put the project off until November 2007 to focus on recording Marilyn Manson's sixth studio album, Eat Me, Drink Me, followed by a world tour. The film is said to feature special effects using a magician rather than computer-generated imagery.<br />
<br />
<b>In graphic art</b><br />
<br />
From the beginning Manson has been a recreational painter, the oldest of his surviving pieces dating back to 1995-1996, but it was after his 1998 Grey period that Manson began his career as a watercolour painter. In 1999 he made five-minute concept pieces and sold them to drug dealers with their knowledge that they would accumulate in value over time. Gradually Manson became more drawn to watercolors as an art form in itself, and instead of trading them, kept them and continued to paint at a proficient rate.<br />
<br />
This manic creativity resulted in an exhibit for his art, The Golden Age of Grotesque, held at the Los Angeles Contemporary Exhibitions Centre on between September 13 and 14, 2002. The reaction to his paintings was largely positive with one critic comparing them to Egon Schele's pieces and describing them as heartfelt and sincerely painted, and Art in America went as far as to liken them to the works of a &quot; psychiatric patient given materials to use as therapy &quot;. Others however saw less merit in the works stating that the value was in the celebrity.<br />
<br />
Two years later almost to the day, during September 14 and 15, 2004, Manson held his second exhibit on the first night in Paris and the second in Berlin, Trismegistus, which was also the title of the center piece of the exhibit  a large three headed Christ painted onto an antique wood panel. Again the reception to the works could be described as mixed but was largely in favour of the artist.<br />
<br />
Manson opened his own an art gallery, The Celebritarian Corporation Gallery of Fine Art, on October 31, 2006 in Los Angeles for which his third exhibition (by invitation or appointment only after the opening night) was the inaugural show. From April 2 until April 17, 2007 Manson's recent works were be on show at the Space 39 Modern &amp; Contemporary in Florida.<br />
<br />
A coffee table art book is in the works, initially titled The Death of Art. The last given title was Quintif. It will be published by the makers of Flaunt magazine.<br />
<br />
40 pieces from this show were ported to the Gallery Brigitte Schenk in Cologne, Germany to be publicly exhibited from June 28 until July 28, 2007. After this they will return to the Space39 Modern &amp; Contemporary Gallery thus leaving Manson's own gallery in Los Angeles temporarily without his own work until 2008.<br />
<br />
The price of Manson's works has been a somewhat controversial point for fans and critics alike, with most fans realistically unable to afford the paintings save for fine art editions and lithographs. Manson's prices though are realistic and reasonable considering the long-term value at a time when prices for contemporary art have never been higher.<br />
<br />
During his European tour 2007 Manson has exhibited his paintings in Germany, Russia and Switzerland.<br />
<br />
Read the full biography on Manson Wiki : <a href="http://www.mansonwiki.com" target="_blank">http://www.mansonwiki.com</a>]]></media:description>
                <media:keywords>power, love, peace, oh, shocking, mansinthe, mobscene, musique, poland, germany</media:keywords>
                <media:rating>nonadult</media:rating>
                <media:category label="Digital Art">Image/Digital Art</media:category>
                <media:credit role="author" scheme="urn:ebu">BenHeine</media:credit>
                <media:credit role="author" scheme="urn:ebu">http://uc.artician.com/members/0/9/9801/avatar.jpg</media:credit> 
                <media:copyright url="http://benheine.artician.com/">Copyright 2009 BenHeine</media:copyright>
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            </item>
            <item>
                <title>Marilyn Manson - 1 -</title>
                <link>http://benheine.artician.com/portfolio/Marilyn-Manson-1-/</link>
                <guid isPermaLink="true">http://benheine.artician.com/portfolio/Marilyn-Manson-1-/</guid>
                <pubDate>Thu, 16 Apr 2009 23:51:49 -0400</pubDate>
                <media:title type="plain">Marilyn Manson - 1 -</media:title>
                <media:description type="html"><![CDATA[<br /><div style="text-align: center;">(Click on &quot;View original&quot; for <br />
high resolution, 300dpi...)<br />
<br />
 2009 <a href="http://www.benheine.com/">Ben Heine</a><br />
Contact me anytime at <br />
heinebenjamin@hotmail.com</div><br />
<br />
<br />
<b>Biography</b><br />
<br />
Brian Hugh Warner (born January 5, 1969), better known by his stage name Marilyn Manson, is a professional musician. He is the lead singer of the industrial metal band that bears the same name. His stage name is formed from the names Marilyn Monroe and Charles Manson.<br />
<br />
Brian Hugh Warner was born on January 5th 1969 in Canton, Ohio. He attended Heritage Christian School. After transferring to and later graduating from Canton's GlenOak High School, Warner moved to Fort Lauderdale, Florida with his family. While living in Fort Lauderdale, he studied journalism and theater at Broward Community College, and became the assistant entertainment editor of BCC's student newspaper, the Observer.<br />
<br />
<b>In music</b><br />
<br />
Jessicka of the band Jack Off Jill was an early friend of Manson's, her band opened most of his South Florida shows. He not only produced most of the band's early recordings but also played guitar on the song &quot;My Cat&quot; and helped name the band. Manson later wrote the liner notes for the band's album Humid Teenage Mediocrity, a collection of early Jack Off Jill recordings.<br />
<br />
In early 1993, after being instructed by his new label, Interscope Records, not to play any local shows, Manson formed Mrs. Scabtree. Mrs. Scabtree was a side project between he and newly hired Jeordie White. Manson played drums, while White (dressed as a black woman) shared vocal duties with then girlfriend Jessicka from Jack Off Jill who wore a blonde wig. Mrs. Scabtree only played two shows in South Florida.<br />
<br />
Manson has helped or provided full scores for several major motion pictures, although several of his pieces have been cut, and his name dropped from the credits. Some of his more notable soundtrack score contributions include The Matrix, From Hell and Resident Evil.<br />
<br />
Manson appeared as a guest on rapper DMX's album Flesh of My Flesh, Blood of My Blood for the track &quot;The Omen&quot;, produced by Swizz Beats, and has performed (with the rest of the band) on stage with Eminem as background music in the song &quot;The Way I Am&quot;.<br />
<br />
Manson sang vocals on &quot;Break You Down&quot; off of the Washington, DC-based industrial rock band gODHEAD's 2000 Years of Human Error album. This album is distinguished for being the only one released on Manson's vanity label Posthuman Records.<br />
<br />
<b>In film and television</b><br />
<br />
Manson made a cameo appearance as a doctor in the Murderdolls' music video &quot;Dead in Hollywood&quot;, and also appears in the Nine Inch Nails music video &quot;Starfuckers, Inc.&quot;, as well as &quot;Gave Up&quot;, and Eminem's &quot;The Way I Am&quot; music video.<br />
<br />
His first appearance in a film was in the role of a pornographic actor in David Lynch's Lost Highway, in 1997. He also had a minor role in former love interest Rose McGowan's 1998 film Jawbreaker and a supporting role in 2003's Party Monster, which is based on the events leading up to and the murder of Angel Melendez by the infamous Michael Alig of club kid fame, where Manson portrayed a psychotic drag queen named Christina . Manson made a cameo appearance in The Hire: Beat the Devil, a short film in the BMW films series (starring Clive Owen as the Driver), which featured James Brown as himself, and Gary Oldman as Satan. His most talked-about film cameo was in the Michael Moore political documentary Bowling for Columbine discussing the motivations of the perpetrators and allegations that his music was somehow a factor. He played himself, in animated form, on an episode of the television series Clone High, in which he sang a song about nutrition and the food pyramid. He is featured prominently throughout Not Another Teen Movie, and covered the song &quot;Tainted Love&quot; for its soundtrack.<br />
<br />
His music is frequently featured on the show C.S.I.. The character on the show, Greg Sanders, is a big fan of Manson and the actor who plays him, Eric Szmanda, is a personal friend of Manson's.<br />
<br />
Manson was featured in the 2004 film The Heart Is Deceitful Above All Things, and was set to appear in Abelcain, directed by Alejandro Jodorowsky, and Living Neon Dreams in 2005, although both of these projects are still unreleased as of 2007. He will also be seen as a bartender in an upcoming vampire movie starring Lucy Liu called Rise and possibly has pending roles in Abelcain, RISE and other projects.<br />
<br />
Manson has produced 23 music videos, most of which have gone beyond the scope of a normal performance video and been well received by critics for their imagery and direction. Mansons three most recent released videos  Personal Jesus, (s)AINT and Heart-Shaped Glasses  were voluntarily funded with his own money (to a sum of $1,500,000) and largely not that of the record company. Manson stated in June 2006 that he saw himself &quot;as more a student of film than of music&quot;.<br />
<br />
In July 2005, Manson told Rolling Stone that he was shifting his focus from music to filmmaking - &quot;I just don't think the world is worth putting music into right now. I no longer want to make art that other people--particularly record companies--are turning into a product. I just want to make art.&quot;<br />
<br />
By 2006 Manson was working on his directorial debut, Phantasmagoria: The Visions of Lewis Carroll, but has since put the project off until November 2007 to focus on recording Marilyn Manson's sixth studio album, Eat Me, Drink Me, followed by a world tour. The film is said to feature special effects using a magician rather than computer-generated imagery.<br />
<br />
<b>In graphic art</b><br />
<br />
From the beginning Manson has been a recreational painter, the oldest of his surviving pieces dating back to 1995-1996, but it was after his 1998 Grey period that Manson began his career as a watercolour painter. In 1999 he made five-minute concept pieces and sold them to drug dealers with their knowledge that they would accumulate in value over time. Gradually Manson became more drawn to watercolors as an art form in itself, and instead of trading them, kept them and continued to paint at a proficient rate.<br />
<br />
This manic creativity resulted in an exhibit for his art, The Golden Age of Grotesque, held at the Los Angeles Contemporary Exhibitions Centre on between September 13 and 14, 2002. The reaction to his paintings was largely positive with one critic comparing them to Egon Schele's pieces and describing them as heartfelt and sincerely painted, and Art in America went as far as to liken them to the works of a &quot; psychiatric patient given materials to use as therapy &quot;. Others however saw less merit in the works stating that the value was in the celebrity.<br />
<br />
Two years later almost to the day, during September 14 and 15, 2004, Manson held his second exhibit on the first night in Paris and the second in Berlin, Trismegistus, which was also the title of the center piece of the exhibit  a large three headed Christ painted onto an antique wood panel. Again the reception to the works could be described as mixed but was largely in favour of the artist.<br />
<br />
Manson opened his own an art gallery, The Celebritarian Corporation Gallery of Fine Art, on October 31, 2006 in Los Angeles for which his third exhibition (by invitation or appointment only after the opening night) was the inaugural show. From April 2 until April 17, 2007 Manson's recent works were be on show at the Space 39 Modern &amp; Contemporary in Florida.<br />
<br />
A coffee table art book is in the works, initially titled The Death of Art. The last given title was Quintif. It will be published by the makers of Flaunt magazine.<br />
<br />
40 pieces from this show were ported to the Gallery Brigitte Schenk in Cologne, Germany to be publicly exhibited from June 28 until July 28, 2007. After this they will return to the Space39 Modern &amp; Contemporary Gallery thus leaving Manson's own gallery in Los Angeles temporarily without his own work until 2008.<br />
<br />
The price of Manson's works has been a somewhat controversial point for fans and critics alike, with most fans realistically unable to afford the paintings save for fine art editions and lithographs. Manson's prices though are realistic and reasonable considering the long-term value at a time when prices for contemporary art have never been higher.<br />
<br />
During his European tour 2007 Manson has exhibited his paintings in Germany, Russia and Switzerland.<br />
<br />
Read the full biography on Manson Wiki : <a href="http://www.mansonwiki.com" target="_blank">http://www.mansonwiki.com</a>]]></media:description>
                <media:keywords>power, love, peace, oh, shocking, mansinthe, mobscene, musique, poland, germany</media:keywords>
                <media:rating>nonadult</media:rating>
                <media:category label="Digital Art">Image/Digital Art</media:category>
                <media:credit role="author" scheme="urn:ebu">BenHeine</media:credit>
                <media:credit role="author" scheme="urn:ebu">http://uc.artician.com/members/0/9/9801/avatar.jpg</media:credit> 
                <media:copyright url="http://benheine.artician.com/">Copyright 2009 BenHeine</media:copyright>
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            </item>
            <item>
                <title>African Continent</title>
                <link>http://benheine.artician.com/portfolio/African-Continent/</link>
                <guid isPermaLink="true">http://benheine.artician.com/portfolio/African-Continent/</guid>
                <pubDate>Thu, 16 Apr 2009 23:42:08 -0400</pubDate>
                <media:title type="plain">African Continent</media:title>
                <media:description type="html"><![CDATA[<br /><div style="text-align: center;">(Click on &quot;View original&quot; for <br />
high resolution, 300dpi...)<br />
<br />
 2009 <a href="http://www.benheine.com/">Ben Heine</a><br />
Contact me anytime at <br />
heinebenjamin@hotmail.com<br />
<br />
<br />
<br />
<br />
<b>Ode To An Elephant</b><br />
<br />
By Marjorie DeNaut Abner<br />
<br />
Oh magnificent giant of the jungle<br />
Born with tusks of ivory<br />
Instead of your protection<br />
They threaten your extinction<br />
The circus is in town<br />
Remember most the elephants<br />
Instead of the Clowns<br />
Entering the tent with an overwhelming rush<br />
Gliding smoothly whisper soft across the ground<br />
Your great strength and wisdom<br />
Put to use extricating woods of value<br />
So deep within the forest<br />
With love and protection for your family<br />
Let this generation not to be known<br />
To allow your demise<br />
Like the dinosaur don't become<br />
Just a figure in a museum<br />
Or a picture in a book<br />
Silence forever the poacher's gun<br />
Let the elephant be the one who won!<br />
<br />
-------------<br />
<br />
(The poem appeared on <a href="http://www.poemhunter.com" target="_blank">http://www.poemhunter.com</a>)</div><br />
<br />
]]></media:description>
                <media:keywords>love, peace, legs, pattes, foret, nature, head, hoofd, tete, oreilles</media:keywords>
                <media:rating>nonadult</media:rating>
                <media:category label="Digital Art">Image/Digital Art</media:category>
                <media:credit role="author" scheme="urn:ebu">BenHeine</media:credit>
                <media:credit role="author" scheme="urn:ebu">http://uc.artician.com/members/0/9/9801/avatar.jpg</media:credit> 
                <media:copyright url="http://benheine.artician.com/">Copyright 2009 BenHeine</media:copyright>
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            <item>
                <title>Facebook Vs Myspace</title>
                <link>http://benheine.artician.com/portfolio/Facebook-Vs-Myspace/</link>
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                <pubDate>Thu, 16 Apr 2009 23:34:05 -0400</pubDate>
                <media:title type="plain">Facebook Vs Myspace</media:title>
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<br />
 2009 <a href="http://www.benheine.com/">Ben Heine</a><br />
Contact me anytime at <br />
heinebenjamin@hotmail.com</div><br />
<br />
<br />
<br />
<b>Social Search Engine Face-off: Facebook vs. MySpace</b><br />
<br />
By Erik Qualman (*)<br />
<br />
Everywhere you turn, everyone's abuzz with Facebook, social search, and social networking. What's all the fuss about? As a marketer, are you missing the train? Or, if you move too quickly, are you jumping on the wrong train?<br />
<br />
On the eve of search marketing's new year, does Facebook spiked with Live Search go down like the real deal? Or does guzzling Google-infused MySpace taste like you're drinking the latest Kool-Aid? (Another round of Second Life, anyone? Orkut on the rocks?)<br />
<br />
There are many more social networks for myriad audiences: business (LinkedIn, Plaxo), older (Gather, Eons), travel (aSmallWorld, TripAdvisor), teens (eCrush), dating (Match, eHarmony), but we'll focus on the two giants for now: the Google and Yahoo of social search engines.<br />
<br />
And when I say big, I mean big. The latest unofficial user figures have Facebook at 73.5 million and MySpace at 289 million -- numbers that have marketers across the globe collectively salivating.<br />
<br />
Top 2 Questions: Facebook vs. MySpace<br />
<br />
Question: What's the difference between MySpace and Facebook?<br />
<br />
Answer: MySpace is starting to be stereotyped as a community for people who want to meet new people. Facebook is viewed as a community designed to keep you in touch with people you already know. Both points are debatable, so we won't go into depth here.<br />
<br />
MySpace has also received some bad press lately as an enabler for pedophiles and other nefarious activity. Google faces similar problems in Brazil with their proprietary Orkut social search engine and online community. In your MySpace, as in life, there may be new people you don't necessarily want to meet.<br />
<br />
Question: Why is Facebook getting more love than MySpace?<br />
<br />
Answer: It seems a bit odd that Facebook is getting all the press these days when MySpace has more users and via strategic partnerships (e.g., Google) have shown they can generate substantial revenue (what I like to dub &quot;socialommerce&quot<img border="0" alt="Emotion: wink.gif" style="vertical-align: middle;" src="http://www.artician.com/forum/style_emoticons/default/wink.gif"/>. What gives?<br />
<br />
Facebook is getting more hype as they're growing at a faster rate (admittedly easier to do with a smaller user base.) Plus, their technical platform is more robust, fostering future growth. Facebook has placed some risky bets that have paid off, adding to the excitement.<br />
<br />
Roughly 16 months ago, Facebook opened up their platform to non-college students. Facebook originally was exclusively for those attending a recognized college or university. Facebook user demographics in areas like higher education and discretionary income are typically higher than those of MySpace.<br />
<br />
Since opening the platform to non-college students, like-minded individuals have flocked to Facebook in droves. These individuals, while possessing similar psychographics of original Facebookers, have even better demographics for marketers: post-college education, high discretionary income, early adopters, etc.<br />
<br />
According to a source within Facebook, the largest growing segment of Facebook is the lucrative 35- to 54-year-olds who enjoy the clean interface and higher privacy levels of Facebook.<br />
<br />
Facebook also set the interactive world on its head when it opened up its application program interface (API) to allow any developers to write applications (widgets/modules) that reside within Facebook. Now everyone is following suit: ranging from iGoogle allowing widget development to iPhone opening up application development.<br />
<br />
With Facebook, Wiki (pedia/search et. al.) open APIs, the world is truly moving the Web to open source ubiquity. These applications are growing quickly on Facebook. In the travel segment alone, there were at least 80 Facebook applications written as of two months ago. There are now 332 travel applications -- an astounding 400 percent increase.<br />
<br />
The most popular travel app, TripAdvisor, enables Facebookers to place &quot;flags&quot; on an interactive map of all the cities they've visited (remember when a paper map on a wall and push pins sufficed?). TripAdvisor's application has roughly 85,000 active daily users.<br />
<br />
TripAdvisor's mapping app wasn't even a new idea. TripAdvisor simply built a better mousetrap. Best of all, it's estimated that TripAdvisor only spent $15,000 to develop such an application by simply leveraging the Google Maps API.<br />
<br />
From a brand equity standpoint, that's a resounding return on investment.<br />
<br />
--------------<br />
<br />
(*) Erik Qualman is the Global Vice President of Online Marketing for EF Education, headquartered in Lucerne, Switzerland. EF Education is the world's largest private educator (Student Tours, Language Schools, Smithsonian, Hult MBA School, Au Pair Exchange, Student Exchange, etc.). Qualman works out of the 850 person Cambridge, Massachusetts office.<br />
<br />
Prior to joining EF Education, Qualman helped grow the marketing and eBusiness functions of Cadillac &amp; Pontiac (1994-97), BellSouth (1998-2000), Yahoo (2000-03), EarthLink (2003-05) and Travelzoo (2005-08). Qualman holds a BA from Michigan State University and an MBA from The University of Texas at Austin.<br />
<br />
Qualman is a frequently requested speaker within the Internet and marketing community. He's also an acclaimed fiction author -- more information is available at [link]. A former basketball player at Michigan State University, Qualman still finds time to follow his beloved Spartans.<br />
<br />
--------------<br />
<br />
--&gt; This article appeared on <a href="http://searchenginewatch.com/" target="_blank">http://searchenginewatch.com/</a>]]></media:description>
                <media:keywords>love, peace, interface, program, application, growth, website, money, orkut, concurrence</media:keywords>
                <media:rating>nonadult</media:rating>
                <media:category label="Digital Art">Image/Digital Art</media:category>
                <media:credit role="author" scheme="urn:ebu">BenHeine</media:credit>
                <media:credit role="author" scheme="urn:ebu">http://uc.artician.com/members/0/9/9801/avatar.jpg</media:credit> 
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            </item>
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                <title>Gilad Benari</title>
                <link>http://benheine.artician.com/portfolio/Gilad-Benari/</link>
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                <pubDate>Thu, 16 Apr 2009 23:25:39 -0400</pubDate>
                <media:title type="plain">Gilad Benari</media:title>
                <media:description type="html"><![CDATA[<br /><div style="text-align: center;">(Click on &quot;View original&quot; for <br />
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<br />
 2009 <a href="http://www.benheine.com/">Ben Heine</a><br />
Contact me anytime at <br />
<div class="codetop""></div><div class="codemain">heinebenjamin@hotmail.com</div><br />
<br />
<br />
<br />
<br />
<b>Narcissus, Photographer</b><br />
<br />
By Erica Jong<br />
<br />
Mirror-mad,<br />
he photographed reflections:<br />
sunstorms in puddles,<br />
cities in canals,<br />
<br />
double portraits framed<br />
in sunglasses,<br />
the fat phantoms who dance<br />
on the flanks of cars.<br />
<br />
Nothing caught his eye<br />
unless it bent<br />
or glistered<br />
over something else.<br />
<br />
He trapped clouds in bottles<br />
the way kids<br />
trap grasshoppers.<br />
Then one misty day<br />
<br />
he was stopped<br />
by the windshield.<br />
Behind him,<br />
an avenue of trees,<br />
<br />
before him,<br />
the mirror of that scene.<br />
He seemed to enter<br />
what, in fact, he left.<br />
<br />
(The poem appeared on <a href="http://www.ericajong.com" target="_blank">http://www.ericajong.com</a>)</div><br />
<br />
--------------<br />
<br />
This is a portrait of Gilad Benari. He is an Israeli photographer. See his DA page : <a href="http://gilad.deviantart.com/">http://gilad.deviantart.com/</a><br />
<br />
With his astounding photos, he lets us see the simple elements of our world in a different and beautiful way. He says himself: &quot;I love to vary my experience in photography. I believe that the real joy in photography is in the trivial, in small things&quot;.<br />
<br />
The good thing with his photos is that they show another side of Israel, often criticized because of it's offensive policy towards Palestine.<br />
<br />
He explains: &quot;Israel suffers an image of being a desert land, or simply a war zone, when showing it all over the world news. Being a photographer and a writer, I have a chance to show otherwise.&quot;]]></media:description>
                <media:keywords>love, peace, portrait, ericajong, popeye, thedoors, instant, fotograf, benheine, talent</media:keywords>
                <media:rating>nonadult</media:rating>
                <media:category label="Digital Art">Image/Digital Art</media:category>
                <media:credit role="author" scheme="urn:ebu">BenHeine</media:credit>
                <media:credit role="author" scheme="urn:ebu">http://uc.artician.com/members/0/9/9801/avatar.jpg</media:credit> 
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            </item>
            <item>
                <title>Two Faced - Marcin Bondarowicz</title>
                <link>http://benheine.artician.com/portfolio/Two-Faced-Marcin-Bondarowicz/</link>
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                <pubDate>Thu, 16 Apr 2009 23:10:30 -0400</pubDate>
                <media:title type="plain">Two Faced - Marcin Bondarowicz</media:title>
                <media:description type="html"><![CDATA[<br /><div style="text-align: center;">(Click on &quot;View Original&quot; for <br />
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 2009 <a href="http://www.benheine.com/">Ben Heine</a><br />
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<br />
<br />
<b><br />
In The Eyes of Time</b><br />
<br />
By Joseph D. Greenwood<br />
<br />
In the eyes of time<br />
We are standing still<br />
Past and present<br />
All one line<br />
Through psychic links<br />
We jump the track<br />
Into the future<br />
Not looking back<br />
The farther we reach<br />
The further we go<br />
Into imagination<br />
And the mind below<br />
An endless journey<br />
Eternity's wake<br />
Through the eyes of time<br />
Not a moments wait</div><br />
<br />
-------------<br />
<br />
--&gt; The poem appeared on <a href="http://artworksgallery.hypermart.net/" target="_blank">http://artworksgallery.hypermart.net/</a><br />
--&gt; Marcin Bondarowicz's website: <a href="http://www.bondarowiczart.republika.pl/">http://www.bondarowiczart.republika.pl/</a>]]></media:description>
                <media:keywords>"ben heine", ocre, journey, friendship, moment, "optical illusion", oeil, yeux, temps, talent</media:keywords>
                <media:rating>nonadult</media:rating>
                <media:category label="Digital Art">Image/Digital Art</media:category>
                <media:credit role="author" scheme="urn:ebu">BenHeine</media:credit>
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            </item>
            <item>
                <title>Vladimir Putin - Dmitri Medvedev</title>
                <link>http://benheine.artician.com/portfolio/Vladimir-Putin-Dmitri-Medvedev/</link>
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                <pubDate>Thu, 16 Apr 2009 23:02:20 -0400</pubDate>
                <media:title type="plain">Vladimir Putin - Dmitri Medvedev</media:title>
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<div style="text-align: center;">(Click on &quot;View Original&quot; for <br />
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 2009 <a href="http://www.benheine.com/">Ben Heine</a><br />
Contact me anytime at <br />
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<br />
<br />
<br />
<br />
<b>Change You Cannot Believe In</b><br />
<br />
Russia's new boss; same as the old boss<br />
<br />
By Reuben F. Johnson<br />
<br />
The election of a new Russian president should not be mistaken for a democratic transition. Vladimir Putin's hand-picked successor, First Deputy Prime Minister Dmitri Medvedev, ran almost unopposed, and there was little doubt as to the outcome. But Medvedev will now be the beneficiary of the most energetic Moscow PR campaign since KGB thug Yuri Andropov was reinvented as a Scotch-sipping, jazz-fancying liberal a quarter of a century ago. The goal will be to portray Medvedev as likely to make significant changes from the policies of the Putin years.<br />
<br />
During the almost pantomime election campaign, Medvedev minimized interviews, taking only a token number of questions, and these only from a hand-picked pool of journalists who are, you might say, &quot;in the tank-ski.&quot; They write tub-thumping stories about how Russia's future will be better and brighter under the new president.<br />
<br />
For his part, Medvedev's statements have been laced with ambiguous platitudes and flowery rhetoric that make him sound like the ultimate civil libertarian. &quot;We're talking about freedom in all its forms--personal freedom, economic freedom and, in the end, the freedom of self-expression,&quot; he said in a campaign speech. &quot;One of the key elements in our work in the next four years will be ensuring the independence of the legal system from the executive and legislative branches of power.&quot;<br />
<br />
This may earn Medvedev a fawning assessment from U.K. banks (looking to fill their coffers with the squirreledaway gains of senior Kremlin officials) and the Economist, but former Yukos Oil chairman Mikhail Khodorkovsky, for one, is<br />
probably asking just what planet this freedom-spouting Russian president-elect has arrived from. The imprisoned Yukos boss sits rotting in a Siberian cell after a case in which it was clear to anyone not on the Kremlin payroll that the state controlled the judiciary's every move, dictated the verdict ahead of time, and engineered the rejection of his appeal in the fastest judicial decision in the history of Russia.<br />
<br />
Independence of the legal system from the executive and legislative branches? This is like asking for a Moscow bureaucracy in which no one takes bribes and streets where drivers obey the traffic laws. To make a slight variation on the theme of Barack Obama's campaign, this is change that you cannot possibly believe in.<br />
<br />
So the &quot;Andropov is a closet liberal&quot;-style charm offensive continues apace. &quot;The university, with all its traditions, is his cradle,&quot; gushed Igor Bunin, the head of Moscow's Center for Political Technologies, in the Washington Post. Medvedev's &quot;challenge is to lead Russia into the group of civilized countries. This idea is more important to Medvedev than the greatness of the country alone.&quot;<br />
<br />
Other observers of Medvedev are a bit more objective. &quot;After the campaign, I can say I know nothing about who he is,&quot; Georgy Bovt, the editor of Russia's Profil magazine was quoted in the Post as saying. &quot;He is intelligent, well-bred, educated--that's all I can say. How is he going to manage the country? We don't know.&quot;<br />
<br />
But the truth behind the selection of Medvedev by Putin and what to expect in the future can be heard from only a tiny handful of commentators. &quot;Medvedev will be the glove on the hand of Putin's group,&quot; Dmitry Oreshkin, a Moscow-based political analyst, told the Post's Peter Finn. &quot;The parliament is loyal to Putin. The security services are loyal to Putin. The mass media is Putin's. Any independent step by Medvedev will be considered a declaration of war on the current elite, and they will strike back.&quot;<br />
<br />
Underlying this institutional control by the siloviki--the cabal of intelligence, military, and law enforcement officials who are in charge of the Kremlin--are two aspects of Russian power that have not changed since the Soviet era, or since the czars for that matter. One is that the struggle to succeed the man in charge does not begin when he steps aside (as Boris Yeltsin did at the tail end of 1999) or dies (which was usually the case in Soviet times). The top dogs are constantly jockeying for position, building their alliances and determining how to position themselves to take over long before an actual resignation, death, or election. Once the new man has taken over, his adversaries continue trying to block his moves, frustrate his initiatives, and otherwise keep him from taking actions not in their interests.<br />
<br />
The other tendency is the one that perhaps best explains why Putin went outside of the inner circle of the siloviki and picked Medvedev, a St. Petersburg lawyer with no known ties to the intelligence services. Sergei Ivanov, a long-term KGB colleague of Putin's, had been seen as the favorite to succeed Putin for some time. He and -others of the siloviki are not pleased with Medvedev's appointment. But this suits Putin just fine. By turning his back on his own and elevating Medvedev, he encourages strife and internecine warfare. Both sides will then ask him to intercede. Like any good dictator, he realizes that his unique power to broker settlements will keep him pulling strings in the background.<br />
<br />
Besides, the soon-to-be-former president has telegraphed his intentions with his statement about what his role will be when Medvedev appoints him prime minister--a position with no term limitations. &quot;The cabinet, headed by the prime minister, is the highest executive authority in the country,&quot; Putin stated, which makes it clear that he will still be the man in charge no matter who occupies the president's office. As all government offices in Russia have a photo of the president hanging on the wall, this prompted the half-joke/half-query in Moscow: &quot;Will Putin have a portrait of Medvedev on the wall in his office?&quot; The question was put to Putin at a press conference, who called it trivial but said, no, he wouldn't.<br />
<br />
Whether Medvedev really is a closet liberal or closet civil libertarian does not appear to matter. His own plans for changing Russia, if they exist, are more than likely to remain in the closet as well.<br />
<br />
------------------<br />
<br />
--&gt; This opinion appeared on the Weekly Standard : <a href="http://www.weeklystandard.com" target="_blank">http://www.weeklystandard.com</a>]]></media:description>
                <media:keywords>"political art", marionnette, program, hold, issue, international, geopolitics, strategy, pouvoir, oil</media:keywords>
                <media:rating>nonadult</media:rating>
                <media:category label="Traditional Art">Image/Traditional Art</media:category>
                <media:credit role="author" scheme="urn:ebu">BenHeine</media:credit>
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            <item>
                <title>Global Warming</title>
                <link>http://benheine.artician.com/portfolio/Global-Warming/</link>
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                <pubDate>Thu, 16 Apr 2009 22:57:19 -0400</pubDate>
                <media:title type="plain">Global Warming</media:title>
                <media:description type="html"><![CDATA[<br /><br />
<div style="text-align: center;">(Click on &quot;View Original&quot; for <br />
high resolution, 300dpi...)<br />
<br />
 2009 <a href="http://www.benheine.com/">Ben Heine</a><br />
Contact me anytime at <br />
heinebenjamin@hotmail.com</div><br />
<br />
<br />
<br />
<br />
<b>Is Climate Change Making Us Sick?</b><br />
<br />
<b>More floods, heat waves, insect-borne disease... Doctors are worried about how global warming will affect our health</b><br />
<br />
By Barbara Lantin (*)<br />
<br />
You might think that a little climate change would not go amiss in the British Isles. Wed have more warm summers and fewer freezing winters. Whats wrong with that?<br />
<br />
Ask the people of Yorkshire. As a result of global warming, many homeowners this week are up to their waists inmuddy water. Andflooding could be just the beginning of our worries. This week a paper in the British Medical Journal gave warning that climate change could be particularly damaging to the health of people in the developing world, but research also suggests that it could be bad news for Britain. Delegates at a conference in London on Tuesday will be told that global warming will drive up rates of cardio-respiratory disease, diarrhoea and insect-borne diseases such as malaria in the UK.<br />
<br />
Global warming is believed to be occurring because human activities, particularly burning fossil fuels, have released into the atmosphere huge amounts of carbon dioxide and other greenhouse gases that are trapping more heat in the Earths lower atmosphere. Average global surface temperatures are already rising and are predicted to increase by between 1.4C and 5.8C over the next century, bringing a higher risk of floods, droughts and heat waves.<br />
<br />
We are already witnessing the effects of climate change on health, says Dr Hugh Montgomery, the director of the Institute for Human Health and Performance at University College London, who has organised next weeks conference at the Royal College of Physicians. The heat wave of 2003, when temperatures in the northern hemisphere reached the highest on record, killed up to 35,000 people  2,000 of them in the UK. Last summers floods have been shown to increase rates of mental illness (see box, left). And milder weather is likely to be behind the arrival here from Europe of the midge-borne cattle disease bluetongue.<br />
<br />
Each of us is, in effect, moving 6km (4 miles) south a year or 60km a decade, says Dr Montgomery. The result will be fewer deaths from colds and flu, but more from strokes and heart attacks because of the heat. Global warming means a higher baseline temperature from which there will be more surges and extreme events.<br />
<br />
Every one degree rise means 75 deaths<br />
<br />
By the 2080s we can expect to see weather like that of August 2003 every year. This is bad news. Studies by the Department of Health have shown that in June 2006, when temperatures in the UK soared, there were 75 extra deaths for every one degree rise on the thermometer, with children, older people, those living in built-up areas and the chronically sick most at risk. Deaths can be caused by the bodys inability to adapt and cool itself sufficiently. However, the main causes of death and illness are cardiovascular and respiratory disease.<br />
<br />
When its hot, large quantities of blood are circulated to the skin to keep it cool, placing a sometimes catastrophic strain on the heart. In addition, heat causes ozone concentrations and pollution levels to rise. This increases asthma rates and causes extra deaths from a range of respiratory illnesses.<br />
<br />
The heat is also likely to bring more unwelcome insects to these shores. While it is unlikely that malaria will take hold  the disease is controllable in countries with good healthcare  other disease-carrying insects (known as vectors by scientists) may arrive.<br />
<br />
Climate change poses a significant risk of the introduction of vector-borne diseases into Europe and indeed there is evidence that such change has already happened, says Paul Hunter, a professor of health protection at the University of East Anglia. Several vector-borne diseases not previously described in Europe have appeared, including chikungunya [a virus carried by Asian tiger mosquito that causes fever, headache and joint pain]. There was an outbreak in Italy last summer.<br />
<br />
Warmer, drier weather could change our landscape, too. Professor Ian Crute, the director of the Biotechnology and Biological Sciences Research Councils Rothamsted Unit, predicts more maize grown, a possible regeneration of the tree fruit industry and the movement of greenhouse-grown fruit and vegetables to the north. But I dont expect well ever have acres of sunflower fields or olive groves, he says.<br />
<br />
However, climate change will have a big impact on the way we live. Events like the drought that has caused Australian wheat crop failure  and affected worldwide wheat prices  will become common. The era of cheap food that we have enjoyed since the Second World War is ending and people on low incomes will find it increasingly difficult to eat a healthy diet.<br />
<br />
What can we do about it?<br />
<br />
Failure to act could have catastrophic consequences but striving to cut carbon emissions could produce unexpected benefits. What we do to deal with climate change could bring about a revolution in public health, says Ian Roberts, a professor at the London School of Hygiene and Tropical Medicine. For example, reducing our dependence on cars should mean that more people walk and cycle, leading to a decrease in obesity. It should also reduce road accidents, which kill more than 3,000 Britons a year.<br />
<br />
At the moment we are in a vicious cycle, says Professor Roberts. We use our cars more and get fatter because we are not exercising. As we get heavier, we become more dependent on fossil fuels because we are reluctant to walk or cycle at all. We need to break this loop.<br />
<br />
If we design climate change policy to max-imise the health benefits, it will be the silver lining to the cloud of global warming. Its the only bit of good news in the whole story.<br />
<br />
Rising woes<br />
<br />
Increased risk to our physical health wont be the only result of climate change, our mental health may also be affected.<br />
<br />
Sara Wolcott* and family were among the 1,950 people made homeless by floods last July in Gloucestershire (see picture above). After two months, I had panic attacks when my two sons or my husband left me alone. I kept thinking about all the things wed lost, reliving it over and over, she says.<br />
<br />
Wolcott, who saw her GP and was prescribed antidepressants, isnt alone. Soon after the floods, Gloucestershire Primary Care Trust (PCT) had an increase in reports of mental health problems. In response, it set up the People Recovery Group to help those suffering stress and anxiety.<br />
<br />
There is evidence that disasters can increase incidence of mental health problems, says Dr Nevila Kallfa, of Gloucestershire PCT. &quot; People are living not just with the loss of their homes and posessions but with the constant fear that it will happen again.<br />
<br />
Wolcott agrees: If floods become the norm, it would add an extra level of stress thats bound to affect peoples health.<br />
<br />
----------------------<br />
<br />
(*) Barbara Lantin is a freelance health writer who has contributed for many years to national newspapers, magazines and websites. Her work appears regularly on The Daily Telegraph health-and-wellbeing pages and on the Telegraph website. She has also written consumer information materials for Government departments and others. She is vice-president and former chair of the Guild of Health Writers.<br />
<br />
--&gt; The above article appeared on www.timesonline.co.uk ]]></media:description>
                <media:keywords>peace, "ben heine", weather, ozone, usine, terre, planète, maladie, "respiratory illness", "global south"</media:keywords>
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                <media:category label="Traditional Art">Image/Traditional Art</media:category>
                <media:credit role="author" scheme="urn:ebu">BenHeine</media:credit>
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            </item>
            <item>
                <title>Alain Bashung</title>
                <link>http://benheine.artician.com/portfolio/Alain-Bashung/</link>
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                <pubDate>Thu, 16 Apr 2009 22:48:02 -0400</pubDate>
                <media:title type="plain">Alain Bashung</media:title>
                <media:description type="html"><![CDATA[<br /><div style="text-align: center;">(Click on &quot;View Original&quot; for <br />
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<br />
 2009 <a href="http://www.benheine.com/">Ben Heine</a><br />
Contact me anytime at <br />
heinebenjamin@hotmail.com</div><br />
<br />
<br />
<br />
<br />
Alain Bashung (Born in 1947) was a French singer, songwriter, comedian and actor. He died yesterday (14 March 2009) at the age of 61.<br />
<br />
Alain Bashung was the son of a factory worker and an Algerian father, whom he never knew. His mother remarried, and at the age of one, Bashung was sent to Strasbourg to live with his new step-father's parents. He therefore spent his childhood in the countryside.<br />
<br />
The multi-platinum artist Alain Bashung has spent his career singing a pop-chanson repertoire. He received the Legion of Honour on 1 January 2009 and he received three prestigious Victoires de la musique awards during a recent ceremony at the Paris Zenith, including best male artist, best album for &quot;Bleu Ptrole&quot; (Barclay/Universal) and best live show. With 11 such awards, he became the most celebrated French musician in history. The award ceremony was his last public appearance. He appeared frail, but still performed 'Rsidents de la Rpublique'.<br />
<br />
Bashung, who had cancer, had to postpone several dates of his current tour. While receiving his award, he said he hoped that record companies would &quot;remain in a human dimension by making people happy with records.&quot;<br />
<br />
He died in Paris on 14 March 2009 from lung cancer at the age of 61.]]></media:description>
                <media:keywords>peace, love, am, "residents de la republique", fame, music, de la musique", "victoires, sunglasses, sick</media:keywords>
                <media:rating>nonadult</media:rating>
                <media:category label="Traditional Art">Image/Traditional Art</media:category>
                <media:credit role="author" scheme="urn:ebu">BenHeine</media:credit>
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            </item>
            <item>
                <title>Money Rules Man</title>
                <link>http://benheine.artician.com/portfolio/Money-Rules-Man/</link>
                <guid isPermaLink="true">http://benheine.artician.com/portfolio/Money-Rules-Man/</guid>
                <pubDate>Thu, 16 Apr 2009 21:57:32 -0400</pubDate>
                <media:title type="plain">Money Rules Man</media:title>
                <media:description type="html"><![CDATA[<br /><div style="text-align: center;">(Click on &quot;View Original&quot; for <br />
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<br />
 2009 <a href="http://www.benheine.com/">Ben Heine</a><br />
Contact me anytime at <br />
heinebenjamin@hotmail.com</div><br />
<br />
<br />
<br />
<br />
<b>Money Money Money</b><br />
<br />
By Nathan Strange<br />
<br />
But which came first?<br />
Money or man?<br />
Yes man!<br />
And now money rules man, doesnt that tell you something?<br />
Money isnt natural.<br />
Money is worthless in the eyes of nature yet money rules the world.<br />
Money is the God that man worships.<br />
Money is metal, paper and numbers.<br />
Money is what we spend all our lives working for.<br />
Money is what we spend all our lives spending.<br />
Money is what keeps us going.<br />
Money is what keeps us down.<br />
Money is power and greed.<br />
Capitalism is the new religion and<br />
God has been sold out for the pound.<br />
<br />
Money is what makes man thinks he is better than man!<br />
<br />
--------------<br />
<br />
--&gt; The poem appeared on www.writerscafe.org]]></media:description>
                <media:keywords>metal, travail, life, or, gold, grow, greed, power, argent, spend</media:keywords>
                <media:rating>nonadult</media:rating>
                <media:category label="Traditional Art">Image/Traditional Art</media:category>
                <media:credit role="author" scheme="urn:ebu">BenHeine</media:credit>
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            <item>
                <title>MOderNA LISA</title>
                <link>http://benheine.artician.com/portfolio/MOderNA-LISA/</link>
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                <pubDate>Thu, 16 Apr 2009 20:17:56 -0400</pubDate>
                <media:title type="plain">MOderNA LISA</media:title>
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<br />
<br />
<br />
<br />
<div style="text-align: left;"><b>Shattered Images of Mona Lisa</b><br />
<br />
By M. Gale</div><br />
<br />
MONA LISA as La Gioconda, Donna Velata, Monna Vanna, La Fornarina, La Belle Ferronniere, Lady with a Unicorn, Gabrielle d'Estrees, Mademoiselle Caroline Riviere, Rrose Selavy, Mao Lisa, Mammary Lisa, Pneumonia Lisa, Gioconda 2001...<br />
<br />
Leonardo's portrait of Mona Lisa, probably the most famous painting in the world has been interested by the public for more than 500 years. It has been reproduced and discussed by artists throughout the history. Even historians and scientists (like Sigmund Freud) tried to reveal the identity of the sitter and the time of the paintings creation. Although the painting is not dated nor signed the author is known, but the time of its creation is a cause of many discussions. There are no final answers, but there are a lot of theories which are mostly based on writings of Vasari and his contemporaries:<br />
<br />
Leonardo undertook to execute, for Francesco del Giocondo, the portrait of Monna Lisa, his wife; and toiling it for four years, he left it unfinished; and the work is now in collection of King Francis of France, at Fontainebleu. In this head, whoever wished to see how closely art could imitate nature was able to comprehend it with ease; for in it were counterfeited all the minuteness that with subtlety may be painted, seeing that the eyes had that luster and watery sheen which are always seen in life, and around them were all those rosy and pearly tints, as well as the lashes, which can not be represented without the greatest subtlety. The eyebrows, though his having shown the manner in which the hairs spring from the flesh, here more close, there more scanty, and curve according to pores of the skin, could not be more natural. The nose, with its beautiful nostrils, rosy and tender appeared to be alive. The mouth, with its parting, and with its ends united by the red of the lips to the flesh tints of the face, seemed, in truth, to be not colors but flesh. In the pit of the throat, if one gazed upon it intently, could be seen the beating of the pulse. And, indeed, it may be said that it was painted in such a manner as to make every valiant craftsman, whoever he might be, tremble and lose heart. He made also of his device: Mona Lisa being very beautiful, he always employed, while he was painting her portrait, persons to play and sing, and jesters, who might make her remain merry, in order to take away that melancholy which painters are often wont to give the portraits they paint. And in this work of Leonardo's there was a smile so pleasing, that it was a thing more divine than human to behold; and it was held to be something marvelous, since the reality was not more alive.<br />
<br />
--&gt; <a href="http://benjaminheine.blogspot.com/2007/06/moderna-lisa.html">Read the full article on my blog</a>]]></media:description>
                <media:keywords>"la belle ferronniere", "la fornarina", "monna vanna", "donna velata", "la gioconda", genie, montage, alien, mars, et</media:keywords>
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